no woman is an island

Late last week I receive a few emails from Jack who is in Phoenix, from Sacramento, for a business trip. I came through the airport and fell in love with your art and especially “Wandering Nerve…” I want it to live with me. Is it spoken for?

I like that he wants my study ↑ of the wandering nerve, aka vagus nerve, aka pneumogastric nerve … to live with him.

Another email:
Do you want to sell it? Do you make prints? I’m here for 3 days.

The work is an original. No prints. Yes, it’s available. I forward more info.

Marvelous! He notes he’s checked in with his wife too. All good.

He fowards:
The microbiome is growing in importance to me individually and the Vagus Nerve is a major player in my current health. I’m so grateful to see it combined in an artistic way too as art has been a similar factor in my life.

This weekend we speak. I learn a little about Jack…

At one point in life he considers becoming a psychologist and/or a minister. He talks about his interest in Eastern religions, community development and personal growth. We talk about philosophies he’s studied. I’m intrigued to know he once lived in an Ashram in South India.

Jack recounts a time, years ago, when he first came across images of Van Gogh. He describes his emotions and the physical sensations as he looked at the work. The experience seeds his interest in art and it continues to grow … which is why we connect today. And he thought he was coming to Phoenix for a business trip!

I listen as he tells me about his physical health, early ailments, and then later more serious issues including inflammation and severe pain. The latter leads Jack to research (a Stanford Lab) among several things, the microbiome and the vagus nerve, and eventually he makes the necessary life-style changes. In particular he talks about food, old cravings as well as a new way of eating that he’s designed for himself. He no longer deals with pain and he notes the breath, now easy and open. I ask questions, he answers with directness and ends with…the vagus nerve…it directs you!

I like his description of the vagus nerve… like a runway...he says. His quiet excitement is clear … I love the wandering nerve!

 We talk a little about the body directing the brain, and the brain directing the body.  It’s 2-way communication, I say. He agrees.

Jack’s life is full. He has plans with his family, which include a return trip to India and to write a book…

Art on a Cellular Level continues to June of 2020 at Sky Harbor airport.

Before our conversation comes to an end, Jack mentions how much he enjoys walking through Sky Harbor. It’s one of the nicest airports I’ve been in…and I’ve been in many.  He especially appreciated the art spaces.

I’m pleased you took the time to experience the artwork. I’m especially glad you’re well and in good spirit. Thank you Jack, for connecting and sharing some of your extraordinary life with me. I am happy the Wandering Nerve will live with you!


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

no woman is an island

I receive a card a few weeks ago from Margaret:
Thank you for my new milagro. I plan on sharing it with my sisters Elizabeth and Kathryn. It will travel between my home in West Virginia and their homes in New York. My sister Kathryn and I make these needle felted things we call talismans, small, discrete lovely things about the size of your milagros. It will hang with these among other things at my altar for my mother, Elena, and her spirit will continue on vibrant as ever, only from a different plane.

Continue your work, it serves the world and graces what we think of ourselves. 

This note – so thoughtful.  And reading the last sentence a few times, I can’t help but wish for every woman, every mother, sister and daughter, to hear, to know words like this too.

Margaret writes in January of 2019:
I didn’t know what to picture when I learned my mom had colon cancer. Scans don’t show anything. Doctors draw diagrams and talk in the abstract. One doctor showed me his pinky and said my mother’s colon was like the diameter of a pencil. I said ok but what does that mean? I forgot to say what does it look like? Soon the vision wasn’t pretty in my head. But your artworks helped me see something beautiful and lively, chromatic. Epic and often exuberant, full of lines overlapping with pattern and movement. The organs in my mother’s body that were filling with cancer look different to me because of your artwork. I saw energy, I saw her perseverance, vivaciousness.

I can’t remember if I ever told her about your artwork. I think I was afraid to be implying she should love her cancer or love her colon, liver, lungs and linings which is where it all went. Instead I loved her as much as I could and I loved your drawings privately for myself in a way to make peace with the situation. Thank you for that. I wish you a happy new year. Thank you for doing what the doctors couldn’t do. You gave me a beautiful visual through which I upheld my mom the best I could.

I’ve had interaction with Margaret about her relationship with her mother and how my work affects her, since 2016. In that time I’ve sent along images (a couple below) as she requested. And I aways sent my best wishes for her and her mother.

I tell Margaret my interest is in both the physical body and in the subtle body. I feel she responds to both but most especially she picks up on the subtle (the unconfined and the constant). Margaret will always share connection with her mother. I appreciate knowing my drawings remind her of this.

Contacting me this summer, she looks for a work, something small, intimate and feminine in quality. I love the request and pull a few small, 2-sided, translucent studies. I call these pieces milagros, Spanish for miracle. The votive offering itself is connected to altars and/or shrines. I also call these small artworks holders of light because they do hang in space,  taking in and reflecting out on both sides. I photograph and send her a number of them, including the breast/mammary gland, which is the one she chooses.

Thank you Margaret for sharing the beautiful spirit of your mother with me. I wish you and your sister the very best. #Motherline #HolderOfLight

Milagro photo courtesy of Margaret Bruning #life

This post is dedicated to Elena Lisbeth Sette Bruning, beloved mother, who passed on Dec 13th, 2018. #nowomanisanisland


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

©2019 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

no woman is an island

Early October I receive an email from Julie Sasse, Chief Curator of Modern, Contemporary and Latin American Art for the Tucson Museum of Art.

I hope you will remember me from your participation in some of our Arizona Biennials. A group (anywhere from 20-45 people) from our Latin American Art Patrons are planning a trip up to Phoenix on Wednesday, January 9, with a first stop to see the Teotihuacan exhibition at the Phoenix Art Museum, followed by a lunch. I’m not sure if your studio can accommodate a group, but I’m checking to see if that would be of interest to you and if your studio is located in the downtown Phoenix area. If you would be up for a visit sometime soon after 1:30 that day, our group would enjoy seeing your work.

Of course I remember Julie! I recall her support of my work. I will thank her in person. Yes.

All 45 members! of the LAAP arrive to the studio Wednesday afternoon. I share my art process and content with the thoughtful group. My husband, who is present, enjoys meeting members so much, he forgets he’s supposed to take photos! I understand completely.

I do have one photo. It catches a moment when I respond to a question about the portrait of my mother.

Soon after the photo is shot, I meet Nancy.

She approaches holding a small print. She wants to know about it. Is it available for purchase? The limited edition intaglio print titled Her Diagnosis – A Windy Liver is numbered 1/1 (1 of 1) because while it is a printed edition of 15 and is the first of the hand-colored series – each print is original. It holds a memory I have with my friend Maria. The border-lined text that makes its way into the composition as fragmented Spanish sentences comes from a song by the group Maná. The album plays in the studio the day I carve the words into the copper plate. And yes, the print is available.

Nancy, did I tell you the print along with 4 other hand-colored works, hung at the Phoenix Art Museum? The group exhibition called Local’s Only celebrated the art of 12 Chicano and Latino artists based here in the city. It feels right that you own it – in some way it is a full-circle experience. Enjoy the work and thank you so much.

As everyone returns to their bus, one woman stays behind taking a moment to share her thoughts about my work in general and she mentions her daughter, who is in medical school. She speaks to me in Spanish. I appreciate hearing what she says and how she says it – because she’s right.

One fun way to kick off this new year! A special thanks to Julie Sasse and the entire group of Latin American Art Patrons, for taking the time to visit my studio.


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

no woman is an island

I know you said your studio is empty but I’m wondering how exact that is 🙂 I’d love to buy a piece of yours as an anniversary gift for Ray.

Yes, the walls really are empty. All the humans are gone!  I do have some critters….

Setting up a date and time for a studio visit I ask Amy – Will you be bringing Ray? Or will this be a surprise?


I lay paintings of insects, a hummingbird, and a tortoise out on a drawing table. As I turn a spot light on them, I feel certain Amy will choose a bug.  But fairly quickly she picks the tortoise. It reminds her of a road trip her and Ray take in their first year of marriage. 

Being turtles…
Cold, November and fairly newlywed (10 months) they drive along the Southwest. Traveling Southern Arizona to New Mexico and into El Paso, she notes they make their way across the border to Juarez and they get lost.  A pizza delivery person had to lead us out!  Upon return they make their way to Hueco Tanks and then head back up New Mexico to Santa Fé and Taos.

we are outside at a café somewhere in New Mexico — I can picture the scene perfectly and we were both wearing black turtlenecks and freezing and looked up and realized we were both pulling them up over our faces, to just below our eyes. And “being turtles” was born

I smile with the visual.

Is she female? Amy asks.
I don’t know. Let’s look at her sexual organs, I say half-joking.
Is this her spleen?

Study of a Tortoise – Casein, Gesso, Prisma Pencil, Micaceous Iron Oxide, Ink, Collage on Panel – 10×10″

Amy drops me a text later that evening… I just realized Rays grandpa used to tell a story about a tortoise named Gilbert! (the map)
Meant to be yours – She is!

Surprise Ray! And a very Happy 20th Anniversary to both of you!

Thank you so much Amy!


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.


no woman is an island

Hi. I love your Torso images. Do you have similar work available? Dennis

This simple note arrives on September 13, 2014. Chosen for the State of the Art, Discovering American Art Now exhibition at the Crystal Bridges Museum, my studio visit makes the cover of the arts section in the NYT.  I receive email from across the country.
It still makes me smile. I am overwhelmed in the best possible way.

Eventually Dennis inquires about a commission. He let me know he’d prefer a male, anterior view anatomy study. He’s a cardiologist, the connection to the heart is the draw. Willing to wait as long as needed (his words), I decide he’s a patient man. In our correspondence I also gather he’s thoughtful. He describes how he works with artists to foster both creativity and opportunity. He writes that he rarely buys paintings, though he loves and collects glass sculpture.

Fast forward to September 2017

Hi Monica – I contacted you a few years ago … I had discussed a piece in your torso series. Do you have any completed works in line with that body of work you might have for sale at present?  Dennis

I have work and send him images. It doesn’t take him long to decide on a painting titled  Front Body, Male.

Front Body, Male,  Casein and Gesso on Canvas,  34 x 13″

I now know his full name is Dr. Dennis Chugh.  I very much appreciate his reconnecting after all this time.

Front Body, Male will be on display at the University of Arizona medical school opening in a few short weeks.  I am happy to note the painting is his. I will borrow it for the exhibit, Nothing In Stasis. The show will run to March.

Dennis will have to wait a little longer for the work. His response: I’m in no hurry. I’m so glad your work is being seen (and sold).

Thank you Dennis, for reaching out and for the support of my work.


Dennis Chugh is a cardiologist who appreciates the arts and is also a maker of beautiful objects. He has blown glass for several years.

Chestnut-headed Bee-eater

You can see more of his colorful Aviary Cilinders at → dennischugh.com


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.


no woman is an island

Maria sends an email… I will be back in town next week and was wondering if you have any of your work on exhibit right now. We have friends coming into town for a few days and I’m thinking of things for us to do. So if you were showing somewhere I would love to take our friends. One of them is an artist herself.

I invite Maria, Susan and Laura to come to my studio.

As you might expect  anatomy study surrounds us. We talk the body for a good while. Laura personally relates to the newest kidney drawing sitting on my table. Susan wants to know about materials – the paint and paper.  I understand she has worked in woodcut and now does linocut.

Do you have any prints, she wonders. This question always confuses me. Do people mean a reproduction like a giclée or poster? Or do they mean an original print? I’m a printmaker. I stumble with the words … I have real prints, I say.

Maria wants to know about one particular small print. I’ve only thought about anatomy lately so I have to stop, change focus and think … considering the content of the work, I find it amusing. I can tell Susan and Laura do too.

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Self-Sustaining Confusion, MM – Collage and hand-painted print, 12 x 10″

Here it is, in a nutshell:
The title – Self-Sustaining Confusion – I find in physicist David Bohm’s book On Creativity. I write the phrase on a piece of paper and leave it on my work table. Weeks pass and one day the rest of the composition formulates while I listen to NPR.  A scientist talks about the brain chemistry at various stages of awareness (or lack of) and I hear things like 69 unfolded proteins and limited real-estate in the brain. And that’s that, I pull out a piece of copper and start drawing.

We talk printmaking and intaglio. This is a dry point.  I use a sharp-pointed tool to  scratch the image directly on a copper-plate (I love copper!). Can you see it? ↓ The process of both printmaking and collage tend to free me up, work flows more stream of consciousness.

About this print in particular – If I recall correctly I pull 15 prints, only 7 of them are worth saving. In general the drypoint technique won’t allow for too many pulls, the marks are too irregular.

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copper plate with drawing on it

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a few pulls of the print

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Each image varies slightly. This one is the first image I collage and paint in the series of 7.

We talk about California (where they are from), the ocean, and the desert. We discuss raising chickens (I learn some things) and having fresh eggs (Susan does).  Of course I bring up making  egg tempera paint. They leave my home with plans to visit Frank Lloyd Wright’s (Taliesin West).

Ladies, I appreciate our morning together. Thank you Susan for wanting to take home Self-Sustaining Confusion. It’s the last one of that series. Enjoy it!

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The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

no woman is an island

6and7Martinez_Hers and His

I meet Vlada and Matthew in June, while making center pieces for the wedding party tables. We all sit cutting and organizing flowers. My sister is getting married and they have come from New York City to El Paso, Texas, to attend the wedding.

I learn Vlada is from Sofia, Bulgaria. Her husband Matthew is from the United States. They are both musicians. And before the wedding is over the next day, they sit at the piano together and play for everyone. Their performance is physical and captivating.

Vlada contacts me mid-November while I am at Crystal Bridges.  They are interested in buying an artwork. I am surprised and pleased. We have a number of interactions to narrow down what will work for them.

Today I learn they want to buy two paintings, a set Hers and His.  The compositions are small female and male pelvis studies representing primordial energy. They both are from the series Nothing In Stasis. Here are a couple of posts about the artwork: Primordial Energy and Hers, Nothing in Stasis  and His

Vlada  lives and teaches in New York. Matthew is completing his teaching license. They  perform throughout the United States and Europe (far and wide). In our correspondence I learn Vlada is also a body worker.

Thank you Vlada and Matthew! Enjoy the paintings. I do believe the purchasing of these two works is creatively symbolic.

 

www.Masterwork Conversations.com is Vlada and Matthew’s website. They  have recently recorded an album called Imagination of the Folk.


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

no woman is an island

This is love: to fly toward a secret sky, to cause a hundred veils to fall each moment. First to let go of life. Finally, to take a step without feet.
Rumi

 


I have worked on this commission for most of the last 3 weeks. Normally I don’t do this kind of work that fast, I tell Terri yesterday when I deliver the completed, though unframed, large work on paper. I enjoyed it and I struggled with it. In general my drawing is changing, I am including much more information, if I can figure it out.

There are things about this composition I don’t normally set up to do – like a smiling face. Because I told Terri to stand in a natural way and she stood firm, bright-eyed, strong, chin up and she smiled, I worked very hard to get the face just right – eyes, smile and all.

Here are a few progressive shots of it:

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general sketch

 

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refinement and muscle structure

 

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anatomy goes in

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completed head includes cranial nerves in and out the head

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I wish I could take that, Terri points to all the internal anatomy in the artwork, and place it here, inside me – she points to her chest. It came from you, I say as I laugh. She nods and repeats herself, I wish I could bring that inside me, now.  That’s a great thing to hear.

This is an anatomy study , it’s a study of an energetic system, it’s Terri. And Terri has brain cancer.

I ask if she is okay with me sharing all this. She nods her head – Yes, I am. I ask a few more times. I feel protective. But whom am I protecting, I wonder. Terri is accepting of her life. Her son, who is present, agrees – she’s accepting it all!  Terri is forthcoming about where she finds herself, and she’s at peace. I see it in her expression. I hear it in her voice. She tells me she’s had 3 other cancers – of the colon, in the sacrum, in the lungs, and now – the brain.

I consider the physical body a lot these days, as I immerse myself in these anatomy studies. The body serves a great purpose, it holds the spirit. As human beings we live and connect with it and through it.

I prefer to use medical terminology when I title a work. This could be different, it is a human body, a female front body, from head to hips. It is a  Study of a Human Female Body, Anterior View. But I am thinking of another title, a sub-title, something like –  Inside me, Inside you.

Thanks again Terri. It’s been some assignment to study your spirit – strong-willed and so directed.

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The work is casein, gesso and graphite on cream Arches paper, 36″ x 25″


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

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The art in this post connects to another work completed in 2012. Terri and Patricaia traveled to Italy recently and upon their return, drove to California and married.

a new commission

 A circle is the reflection of eternity. It has no beginning and it has no end – and if you put several circles over each other then you get a spiral. ~MJK


I work on a commission –  a painting on paper of a female front body – head to hips. I began 2 weeks ago when I photographed and outlined Terri, on a Sunday afternoon. The colors, forms and angles on this life-size study feel different to me and so I move more slow and careful. Each day I detail out one or two organs. I have a few more anatomical systems to bring in that will pull the structure together more. Of course I also plan to work the background. I know the composition will look different even a week from today, so I document process.

Someone asked what I read – he was curious, he said. As I work on this I am both listening to and reading Caroline Myss who deals with the energetic systems of the human body. Myss looks at everything as symbol. I understand this.

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IMG_6407bNo Woman is an Island.

 

state of the art – discovering american art now

Unknown

I am excited to let you know my work will be a part of the State of the Art exhibition at the Crystal Bridges Museum of America.

This is certain to be a one-of-a-kind exhibition experience – for artists and visitors both – as curators travelled 10,000 miles across the United Sates to visit with nearly 1000 artists. My studio was in that mix of visits as were a handful of AZ artists. I recall the initial phone call and email I received – I really couldn’t believe it ( for the record – I do believe it now ).

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Photo by Ruth Fremson/The New York Times

About the exhibit:
State of the Art features 102 artists from across the country selected for inclusion as a result of Crystal Bridges president Don Bacigalupi and assistant curator Chad Alligood’s travels and visits (mostly in person, some via Skype) with artists from every region of the U.S.

About the art works:
· Works in the exhibition include photography, video, ceramics, action/interaction, glass, fiber, installation, paper, painting, and sculpture.

· There are more than 200 total works in the exhibition

· The exhibition will reach beyond the boundaries of the Museum’s temporary exhibition spaces, extending into the permanent collection galleries and activating public and community areas indoors and out. Gallery spaces will total 19,000 square feet.

There is no charge to view the exhibition.

WHO: Crystal Bridges, Museum of American Art
WHAT: STATE OF THE ART – DISCOVERING AMERICAN ART NOW
WHERE: Bentonville, AK
WHEN: September 13, 2014 – January 19, 2015

 For more details click ↓image005

Visit the press page here on my blog and see the YouTube studio visit and/or read about the show and my work.

There is more to share but this is a good start.
Did I say I am excited? Yes I did. I am.

I could have titled this post No Woman is an Island.

no woman is an island – continues

One show is the riotously antic, articulate show of paintings by Monica Aissa Martinez. This colorful, well-designed art seems to cavort through paper and canvas, with two humanoid abstractions (of assorted and combined cocktail glasses, beakers, squiggly lines) showing the convolutions of humans’ pairing-game. While whimsical, Martinez’s show is beautifully designed and painted, with a message built in – partnering may look hilarious, but it has serious, even threatening dimensions. – Roberta Burnett in a Special for the AZ Republic


synchronous

Synchronous
Casein on Linen
12 x 12″

Veronica and Greg drop into my studio on a Friday evening, in March. Veronica walks along the walls looking at work. She appears to be searching for something in particular. She explains she is interested in buying a wedding gift.

I recall a series I made a few years back that expresses the nature of relationship – the balance/imbalance of masculine and feminine energies. I open my flat file drawers and we look through work. I pull out a few small paintings. She likes two of them. Last week she decides which one she’ll take.

When is the wedding? I ask Veronica.
March 29th.
What a generous gift.

We want to give them something important and symbolic – something special. Art.

Thank you Greg and Veronica. The gesture is thoughtful and I appreciate my work being part of a grand day.

And to Heather and Andy – Happy Nuptials to the both of you.

synchronous – syn – “together,” – chronos – “time.”
– at the same time or frequency: simultaneous, in synch, in step


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

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This small painting is part of a large series of works on paper and canvas titled → Relationships – the ebb and flow. I completed the body of work in 2007. One might say in the bigger picture I was questioning and studying relationship, while in the smaller picture I was trying to understand basic electronics.

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no woman is an island – continues

Martinez_Mariposasm-1

Study of a Butterfly
MM collage on panel
8 x 8″
2014

I received an email from Jocelyn Hanson, the Executive Director of the Shemer Art Center and Museum.

We could have sold your butterfly twice today – do you have another similar piece?

I didn’t understand. I wondered why didn’t they sell the one they had. I clarified the work was in fact available for purchase.

One has sold – was wondering if you had anything similar to sell to the other interested buyer?

Oh, Study of a Butterfly found a home! Thanks Jocelyn.

The exhibit MicroArt coincides with MicroDwell 2014 and continues to March 23.

more → Shemer Art Center and Museum


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

Study of a Butterfly is one of 4 in a series called AZ Pollinators, designed specifically for this exhibit.

pollinators

in the studio – a practice

Studio – derives from the Italian: studio,
from Latin: studium, from studere,
meaning to study or zeal, 
Practice – repeated performance of an activity in order to learn or perfect a skill.

My drawings, paintings and prints will be on display at Desert Song Healing Arts Center for the months of February and March. I will organize newer work and include a few pieces from  a number of series I completed in the last decade – after my Yoga Teacher’s Training at Desert Song.

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WHO: Desert Song Healing Arts Center
WHAT: In Studio – A Practice
Drawings Paints and Prints by Monica Aissa Martinez
WHERE: 3232 North 20th Street
WHEN: February 1st, 2014

During the run of the exhibit, on Sunday February 16th from 1-3 will be an
Art, Music and Yoga community event. Yoga instructor Meg Byerlein will lead the practice as we listen to live sounds from musician Mary Petrich (and friends). Save the date.

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Desert Song Healing Arts Center has been in business for 30 years. I’ve known Mary Beth Marcus since the late 90’s when I began studying yoga. In 2003 I completed my Yoga Teacher’s Training with her.

I learned many things during that intense time. Including that I could complete 21 Sun Salutations in the morning and/or in the evening, at a moments call. I’m kidding about that –  sort of.

We studied the history and philosophy of Yoga. I loved learning each of the 8 limbs. You’ll certainly see the influence in my work. I also learned about taking the Teacher’s Seat. I know this framework prepared me for what I do now – teach drawing at Phoenix College. It still provides me with guide lines as I continue setting up a classroom each semester.

Mary Beth has a new studio and a new location. The grounds are beautiful. Join them on Facebook or visit the Desert Song website.

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Note: February’s theme is the Heart and March is Community …. they work for me.

no woman is an island … continues

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Hummingbird Study
mm collage on panel
12″ x 12″
2013

I can title this post A work finds a home, because in general – it is about that. But in fact, it’s about so much more. The blog posts titled No Woman is an Island acknowledge the people or organizations who support me and the work I do. No one continues alone, much less the artist. I enjoy and appreciate the full circle experiences.

Here we go – the last post for the last day of 2013.
It’s about art, hummingbirds – and a few people who appreciate both.

hummingbird

I took this photograph on a late afternoon in June. I understand Maria shot images of it that same day,  in the early morning.
Carolyn orchestrated both events – the nest was in  her yard.

A few years ago Carolyn Lavender introduced me to Tom Strich. It was opening night of our first run of exhibitions. I recall Tom and I talking briefly about the artwork, including the life force, and death. A few days later he drops me an email that includes a list of books based on our conversation that evening. I decide he’s thoughtful. I also determine he understands some of the connections I am trying to formulate with the work because I’d read at least half the books on the list.

Fast-forward to now …
Tom purchased the small hummingbird painting (at the top of this post) as a Christmas gift for his wife Maria. I’ve heard lots of good things about Maria. I know her only through her photographs and videos about what else – hummingbirds!  She has a website dedicated to the study.

I meet Tom the second week of December, to drop off the painting. Long story short, we end up in the Tempe Center for the Arts parking lot. It was not part of the plan but ironically the area leads to a path where his public art work sits. We take a walk and talk about his sculpture, and the surrounding landscape. He identifies a number of plants and birds as we move through the space, including Queen Butterflies, Red-Tailed Hawks, a Gila Woodpecker, and a male Anna’s Hummingbird. I leave our meeting looking over a napkin he listed book titles on – all connecting to our afternoon conversation. He’s kind and … he’s a generous, walking resource – I think to myself as I read through the information.

Tom is an artist and Maria is an observer of all things hummingbird. Take a look at their individual sites, they include information and many, many wonderful photos.

→ Thomas Strich, Artist
→ HummingbirdPictures.Net

Maria, I hope you enjoy the Christmas gift. Keep up the wonderful work. Thank you Tom.

… a happy and prosperous New Year to all.


I’ve painted many works that include the hummingbird.  I’ve mentioned the small creature associates with guidance. It is a light in the darkness and it connects to joy.

These examples range from 2007 -08.

wake up

Wake Up
mm on linen
12″ x 12″

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I am , Yo Soy
mm collage print
13″ x 9″

howmanytimesbeforeigetit

How Many Times
casein on canvas
12″ x 12″

findingmyselfloosingmyself

Finding Myself, Losing Myself
mm on linen
36″ x 24″

no woman is an island….continues

Occasionally people contact me for permission to use images and/or posts from this blog. These are three outcomes ranging from across the globe. I note the different type of organizations and the connecting thread to educate.

SanPascual_invite

Melissa Marquez, a freelance graphic designer out of Albuquerque, NM – interning with the National Hispanic Cultural Center – contacted me this summer. She specifically requested to use a border from a painted ceramic tile piece I created. Above (and below) is her take on the simple design. It will also be used to border areas in the gallery space.
The upcoming exhibition is titled “En la Cocina with San Pasqual.”

The original design → here.

Melissa Marquez is a freelance graphic designer → website.
National Hispanic Cultural Center → website.

SanPascual_invite2Using a detail of one of my works on paper, below – Lesley Grecco designed a postcard for a workshop titled Bodywork for Voice and Movement Practitioners. Initially Lesley contacted me because she wanted to use images for a lecture she was giving to medical personal about Craniosacral Bodywork. Coincidentally I’d become interested in the body work and she directed me to valuable resources.

Lesley Grecco lives in Toronto, Canada, here is her → website link.

IMG_4938 IMG_4939

Amira Robinson from New Zealand requested use of photos from a drawing class – on contour study.  The article was for a Student Art Guide that helps art students excel. The photos below are her specific choice. They are only a few of many interesting works in her article.

I should note this one link brings my blog daily traffic, from all over the world.

Amira’s → article.

drawing-pineconesThe internet is one interesting medium. I’ve been invited to give a virtual residency. If things go as planned it will be next month. Let’s see how that goes.