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Monica Aissa Martinez

Artist living and working in Phoenix

Monica Aissa Martinez

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Category Archives: public engagement

a concoction of small life

Posted on July 5, 2021 by monica
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organizing pathogens

In the studio, I think about how to group this series of small works. Arranging and rearranging, until maybe, I am satisfied. 

Eventually I pull out all (all!) of my under the microscope studies from the last year and recall a conversation with Tapoka.

Me: I can’t call a whipworm a microbe, can I?
Tapoka: I think it is a microorganism as it is small but it has many cells. I believe microbes are usually single celled like a bacteria would be.

According to my handy-dandy Medical Meanings, second edition glossary:

Micro– is a combining form, usually used as a prefix, that is a near borrowing of the Greek mikros, “small, petty, trivial”.
And…
Microbe– is a concoction of micro- + the Greek bios, “life”, proposed in the late 19th century to designate any minute, living organism; useful as a generic term for the gamut from viruses to protozoa.

Based on everything I’ve learned and considering the last year we’ve had, I have no appreciation for the meaning of mikros including words like petty or trivial. 

I tack all my work up. It appears I have a concoction of small life on the studio wall.

I know human body as ecosystem with diverse population living within. Some of those organisms cooperate, others (most?) compete with each other and with host. Microbes manipulate. Survival…
#cooperation #competition #life #NothingInStasis 


FYI: UPPERCASE (50th edition) published a few of my pathogens. Magazine out in July!
Click on image to see expanded version.


©2021 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

Posted in art, artist spaces, Bugs in Contemporary Art, education, learning, microbes, no woman is an island, process, public engagement, STEAM | Tagged art, microbes, science | Leave a reply

schistosoma mansoni and its intermediate host, a snail

Posted on June 13, 2021 by monica
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Five months have passed since I last focused on the Public Engagement series with Maria Duque, at Sanger Institute. The focus: parasites and Neglected Tropic Diseases (NTD’s).

I meet a new scientist (#5 out of 6) who introduces me (and you) to yet another malicious actor/parasite and its destruction/disease.


When I first connect with Dr. Sarah Buddenborg, it’s November and she is at the Wellcome Sanger Institute, in the UK. We finally meet via zoom, on a Monday afternoon, this last May. She’s in transition mode, having returned to the US, to begin a new position a week from the day we speak.

Upon introductions, I learn she’d received a PhD in Biology, at the University of New Mexico. I tell her I received my MFA at New Mexico State University. We both agree the NM desert is great landscape. 

Side note: During this pandemic, when the lab Sarah works in, shuts down, she works tracking Covid-19 cases. Curious, I ask a few questions, and then I force myself to stay focused on the blood fluke, Schistosoma mansoni. (We’ll talk Covid sequencing another time!).

Sarah works on the parasite, S mansoni.

“It’s truly an incredible worm, she says, with separate male and female adult worms that fit together like a hot dog inside a hot dog bun! …I’ve worked with S. mansoni for over 12 years now, only recently switching from looking at the snail host stages to the sexual development and sexual differentiation of males and females.”

I confess, from the various parasites on the list, I choose this one because its intermediate host is a snail. I imagine a coiled worm and a spiraled snail could make for engaging, line compositions. 

martinez_schistomansoniworm

Schistosoma mansoni (shisto = split and soma = body).

 

I spend an afternoon sketching these ↑  adult parasitic worms only to get a sense of their fascinating architecture.

-The male (with suckers, oral and ventral) has a gynaecophoric canal (gunaiko = female and  phoros = bearing). This ventral groove is where the female fits. (See her ↑ in there!)
-They mate for life. (Though rumor has it the female can wander to a new mate.) 
-They are big enough to see with the naked eye.
-They live inside the portal vein of their human host. (Eek! Is this right?!)
-They lay about 300 eggs a day. (Which land in host’s liver…ugh!)
-They travel against gravity, in this case, against the flow of blood. 
-These worms wreak some havoc.

martinez_snailstudy

I set up the snail and detail in some of its anatomy.

 

Keep in mind, I choose this parasite because I want to draw a snail. As I begin to understand the poor creature is the intermediate host, I don’t want to add eggs or larval stages to the composition. I want to leave this ↑ snail the whole and complete focal point. #safe #sound

Here is how this stage of the worm’s life cycle plays out:
Eggs are excreted into freshwater ↓ via urine or feces, from an infected human.
Question: Can eggs be seen with the naked eye?

Eggs hatch releasing free-swimming, ciliated (note hair-like ↑ edge) miracidia (from the Greek meaning youth) into surrounding water. The miracidia burrow into (Sarah uses the phrase “takes over“) tissue of a freshwater snail, specifically Biomphalaria glabrata.
Questions: Does the snail suffer? How long is the snail able to survive such a hijacking of its body?

Inside of the snail, miracidia lose their cilia, developing into mother sporocysts through asexual reproduction, eventually emerging are daughter sporocysts, further morphing into the fork tailed cercaria phase. #Shapeshifter

img_7339

Sarah’s photo background influences my composition.

Sarah shows me this one ↑ photo as she emphasizing tens of thousands of cercaria are released by the snail and will eventually borrow (penetrate) into a human host.

Interesting note: temperature, light and chemistry play important roles in how this bug navigates.

Sarah explains how the parasite enters the definitive host (human), and how worms maneuver through that system, where they end up, and how the whole cycle gets repeated. She also talks genomics and sequencing and assembling sex chromosomes, showing me a karyotype and quickly running through a few details about the female and male. 

I ask Sarah what draws her to this kind of work. She notes the travel and the field work in the small villages where transmission is highest and how this has allowed her to witness the suffering. She knows the impact of her work. 

Thank you Sarah!
And welcome back to the US. 

TBC…


©2021 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

Posted in art, education, public engagement, science | Tagged art, biomphalaria glabrata, neglected tropical disease, public engagement project, schistosoma mansoni, science, STEAM | Leave a reply

under the microscope – unembryonated whipworm eggs

Posted on January 13, 2021 by monica
5

It is late 2018, when Maria brings the idea of a public engagement project to my drawing table.

In the early part of our conversation and planning (before we zoomed…we skyped? or something to that effect).

I could not have imagined then I would be connecting with a number of scientist from different countries, discussing various pathogens and diseases….uh…much less, during a pandemic.

And consequently creating a series of small studies. I call the work studies because as I learn, I draw and paint. I also want to note I find a new circular format, work on a different surface, experiment with new brushes… #ChangeIsGood

Today I talk to Dr. María Adelaida Duque, the scientist and her work.

Maria: I am a Colombian immunologist with a passion to understand host-pathogen interactions, she explains, that underlie infectious diseases endemic in low and middle-income countries such as Colombia.

During my career I have studied different infectious diseases including Chagas disease caused by the infection with Trypanosoma cruzi (a protist), tuberculosis caused by Mycobacterium tuberculosis (bacteria infecting the lung), and currently trichuriasis, a neglected tropical disease caused by Trichuris trichiura (alias Whipworm).  

While in studio I focus on the whipworm and it’s eggs but I want to know more about neglected tropical diseases (NTDs).

Maria: They are a group of 17-20 different diseases affecting more than 1 billion people in low and middle-income countries mainly in the tropics and subtropics of Latin America, Asia and Africa (https://www.cdc.gov/globalhealth/ntd/diseases/index.html, https://www.who.int/teams/control-of-neglected-tropical-diseases). These diseases are related to poverty and the lack of proper sanitation. Some of them were actually present in USA and European countries but the introduction of sanitation put them under control. Because they do not affect wealthy countries, there is not much investment in research and development of drugs and vaccines to control them.

She asks me to imagine teaching children about sanitation and hand-washing, in an area where water is not easily accessible.

We get infected with this parasite when we ingest eggs present in contaminated food or water, she says.

Her image is labeled Worm in the cecum. Because I spend last summer drawing cross sections of the intestine (and enjoyed it!), I recognize some things.

My sensibility pulls to the small circular detailed areas (not typical of the cecum) which are unembryontaed eggs inside a female whipworm (transverse cut).  While the visual appeals to my eyes, I don’t forget the female T. trichiura produces 2,000–10,000 single-celled eggs a day!

I admire how microscopic images are laid out usually showing changes occurring in organ/organism. I decide for a similar layout to show the evolution of my study, layout to completion.

line, color, shape, form, space, texture, scale

Note thick, oval-shape shell with plugs at both end, that protect the egg. The whole thing is covered by vitelline membrane. #stable
I could probably do a whole series on the egg development. #stages

Ww Eggs in Cecum (working title), Casein and ink on wood panel, 8.5″ diameter

Do eggs hatch in the intestine?  And is hatch the correct word to use?

All unembryonated eggs need moisture and temperature to embryonate, Maria explains, which in nature they find in the soil, that is why whipwomrs are soil-transmitted helminths.

Unembryonated eggs travel through the intestine, exit the body in the stool and eventually become embryonated eggs.  They can be present in contaminated food and water. Consider they may end up in the little hands of children playing with soil, ingested and eventually arrive to the intestine and hatch.

Questions:
Can human whipworm eggs be seen in the soil? With or without microscope? (I’d guess you need a microscope.)
In particular locations, could/would soil be sequenced? 

Trichuris muris – Parasite eggs on my drawing table

I ask Maria about her research and its results: I foresee the results of my research will help us to develop new drugs and a vaccine (currently there is not one), to fight trichuriasis, but also to understand how the infection with whipworms can promote the resolution of inflammatory diseases such as IBD and allergies.

Thank you Maria, for initiating this public engagement and for sharing your work with me.
Muchas Gracias!

For more about work and publications → Dr. María Adelaida Duque

Next post, I plan to take you into the cecum and tell you more about Trichuris trichiura (aka whipwrom). And I need to decide if I’ll be drawing more whipworms (I did once- look). I bet I will!


©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

Posted in art, process, public engagement, science, STEAM | Tagged art, Dr María A Duque-Correa, public engagement, science, whipworm eggs | 5 Replies

yersinia pestis, insidious you are

Posted on December 28, 2020 by monica
4

Where to start, bacteria? Or plague?

In this post, I hope to focus mostly on the insidious bio-agent, Yersinia Pestis aka, Y. pestis, bringer of plagues. I stray but I come back (you’ll know by my tone).

Pathogen infection blocks flea’s esophagus. Unable to feed, it jumps from animal to animal in attempt to get nourishment. During this process it regurgitates infection into each bite wound until it dies of starvation.

Plague derives from the Greek, plēgē, meaning a blow or stroke. Latin plungere, meaning to beat or strike and also to bewail or lament.

I want to indicate idea of pandemic in some way. I mention to Dr. Sandra Reuter, I am considering collaging a world map into my study of Y. pestis.

She responds: I like the idea of the world map and spreading of disease. That is very much what I am interested in now, and it does also apply to the plague, as it has travelled the world several times, too! Especially in the middle ages, it spread along the trade routes. Even today, it survives in some places like Madagascar, China, Russia, and even in remote parts of the US.

Some bugs are like that, they like to travel and make use of how people move. Compared to the middle ages, the spread nowadays is much quicker, though, because of air travel! That’s why this corona virus pandemic has hit the whole world within a couple of months, whereas the plague travelled much slower, and the big pandemic of the Black Death took several years to spread around Europe.

At start of composition, I know I want to indicate the plague and it’s history so I collage onto my surface, a global map. I want to add a phylogenetic tree but I fill the space with symbolic fingerprints instead. This detail eventually goes.

Plague, infectious disease, zoonotic in nature meaning it’s transmitted between animals and humans. The main vector, a small flea, passes causative agent, Y. pestis to another living creature, in this case, a rat, aka, the reservoir host.

Can I refer to this as one cycle? Because we also have another cycle that involves the human.

Flea is vector, rat is reservoir host (first victim), and the bacteria being passed is non-motile, rod shaped, bipolar staining (looks like a closed safety pin). I especially enjoy drawing the rat. Felt a little bad for flea. Safety pins were nearby…fun photo op.

Humans are contaminated in various ways:  flea bite (blood meal / flea throw-up),  direct contact with infected animal or tissue, or by inhalation of droplets coughed by infected human or animal.

While the disease is important, I get so caught up in it (fyi, it’s fascinating and there’s a lot on it, look it up).  And in the case of this study of Y. pestis, I wander into genome sequencing too (and also get lost).

Trying to understand a complicated set up, I eventually have to return to the focus for my visual…the pathogenic bug. 

As I look at and draw in the  bacteria, I recall Sandra telling me most look fairly similar and are small. She’s right, they do and they are.

Y. pestis, Gram-negative, nonmotile, rod shaped bacterium, I’ve decided I have an aversion to you. I can’t think straight to write about you.

You are facultative anaerobic which basically means you grow (survive) with or without oxygen (with or without oxygen!). You are held by some sort of slime layer that prevents you from being destroyed by king of the phagocytes (→macrophage).

Enter neutrophil, lymph node and macrophage.(replacing fingerprints)

You manage to colonize macrophages, reaching lymph nodes, and because the immune system doesn’t take you down you can enter the blood stream and organs leading to bubonic plague, septicemic plague or pneumonic plague. And if you’re inclined, you take people down quick!

The history of the plague and the details of the various transmissions are out there to read about. And genome sequencing helps to tie up the story as it passes through time.

Though unlike my last study where I manage to pull it all together (at least in my head and on my painting surface) – this pathogen and its disease has me going from one complexity to another. I keep wishing I was painting on a large sheet of paper that I can erase and rework instead of circular, 11.5″ form. Oh well.

Questions I have as I learn about Y. pestis and its disease:

Who is the victim in the end? Every life form that comes into contact with Y. pestis, is my guess.
And who survives? (I sort of asked this question in the last post) My best guess is, it all depends on who, what and when. There are lots of fleas and rats, after all, and maybe many humans too (in other words overpopulation).
Will the bacteria be destroyed completely? Does it serve a purpose?
Does the bacteria’s nonmotile quality benefit it in some way? It seems to me it would want to move.

Any comments or questions? Please share them!

Thank you Sandra, for introducing me to your work, past and present. And helping me along as I organize my thoughts. I will say this study and how I moved through it, in some weird way, activated my imagination and maybe at times even each of my senses.
#LotsOfActivity

I especially enjoyed our conversation about DNA (and RNA) and the common thread (strands) that connects us all. I’ll hope to come back to this one day.

More → Dr Sandra Reuter and her work.

Postscript: It was hard for me to keep this information organized so I could understand. Maybe because I quit drinking coffee this last month…who knows. Anyway, it’s interesting to be looking at this topic in the context of this last year. It moves me into looking forward. All life seeks to survive.


©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

Posted in art, process, public engagement, science | Tagged art, artist, plague, public engagement, sandra reuter, science, scientist, y pestis, yersinia pestis | 4 Replies

all things bacteria

Posted on December 21, 2020 by monica
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But where is the bacteria?


I meet Dr. Sandra Reuter, microbiologist turned bioinformatician. I find her work [so] fascinating, [sooooo] abstract (read between the lines…this is hard stuff). Sandra lives in Germany working at a university hospital. She explains, I have set up the sequencing here so that we can sequence anything of interest!

Bioinformatician’s combine biology, medicine and health-related studies with information technology. They collect and interpret data covering a range of fields. I gather Sandra’s  focus is genomics, pathogens and microbial evolution.

Sandra jumps right in, Generally I am interested in all things bacteria, and especially those that cause disease. And I am interested in how they develop or evolve to cause disease, how they adapt. And lately, also how they move around a hospital system…I use whole genome sequencing to track these changes and adaptions in the genetic code.

In my PhD thesis, I worked on Yersinia. One of the species in this genus is Y. pestis, the plague bacterium, however I was more interested in a distant relative, Y. enterocolitica, that causes diarrhoea. There are different types of Y. enterocolitica, and I was looking into how they each came to be and what made them unique. I also then compared it back to Y. pestis, because both of them being pathogenic with similar markers could mean they both have a common ancestor that also had that trait. In fact, I found that they are not that related, and that they both came up with the same idea of pathogenesis seemingly independently!

I get so caught up in what she actually does as a scientist instead of what I need to focus on for my work. Before my brain has any sort of visual she shares info about superbugs, she simplifies genome sequencing (if this is possible) for me…talking family, ancestry, fingerprint, isolates, transmission chain of infection, bugs from different cities…etc.

The bug talk…one main chromosome, plasmids (extra bits of DNA), antibiotic resistance genes, quorum sensing. Sandra smells the plates, as the bacteria do smell slightly different depending on what they are and eat and which gases they produce (for some reason the latter brings memories of ceramic class).

I ask, do you have visuals, of any bacteria?

No she doesn’t have images of actual bacteria explaining she looks at bacteria in a different way…I draw phylogenetic trees ↓  to show their evolutionary relationships.

Sandra explains: This is a tree (spread-out view ↑) of different Yersinia species. On one side is what we call species complex (SC) 1 – pestis the plague bacillus, its close relative pseudotuberculosis, and also similis (as in similar to pestis and pseudotb). On the other side towards the bottom is enterocolitica (SC5), with different biotypes. In between: all the other environmental species, that don’t cause disease in humans but maybe insects (nurmii, entomophage) and trout (ruckeri). We compared it with the different biochemical tests used to identify the species (the red, blue, and grey boxes) and can see why some tests may be problematic, as they can’t tell species apart with confidence.

EMRSA-15 context: This ↑ is a tree (circular view)…EMRSA-15 isolate from around the UK. She explains details including computer use to organize information.

Though I am not expecting images of this sort and my mind isn’t really registering the content, I like their form and think they’re cool! I will use the circular (already established) format. Maybe I might (might!) bring in the first tree (spread out view).

She also explains gram stain which includes structure and color, something I can hold on to easily!

Gram staining is a way to colour bacteria. Under a microscope they are very tiny, so to see them better, we can put some colours on. And the behaviour comes back to how the cell wall is made up (structure!). The staining is done in several steps. In the first step, you use a purple dye (color!). Then in the second step you first fix the colour and then use ethanol to rinse them. Because the cell wall in Gram positives is thick, they retain the dye and are therefore purple. To stain the Gram negatives, you then use another dye in the last step, so they are red (another color!) in the end.

My last question to Sandra considers what is going on in the world these days, with the pandemic. Who will win? Microbe or human? She talks about both human and microbe becoming more or less aggressive. Both will win, she decides, each will adapt and continue…to survive. I like her attitude and appreciate the answer.

Going into the studio after our meeting, I look closely at the wonderful phylogenetic trees. I’m not certain I can replicate them by hand. (Oops! I really mean to say reproduce here but I’ll leave the word replicate!)

I let go of the bacteria I was hoping to draw via this sketch (note: it’s gram-negative!) so that I can figure out how to approach this next work.

On this particular day I think Gram-positive/Gram-negative. I see the yin/yang and the unplanned (but welcome) DNA strand that makes itself visible.

Finally getting clear, I will focus on Yersinia pestis, plague bacterium. I have an idea and head out to the map store to buy a map of the globe.

Sandra, it was good to spend a Friday morning speaking with you all the way in Germany! I can tell that you love your work! Thank you so much for sharing it with me.

More about → Dr. Sandra Reuter 

Let’s see what I come up with for Y. pestis and the plague!
#flea #rattas #zoonotic #vector #reservoir #puzzle


©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

Posted in art, public engagement, science, STEAM | Tagged art, artsci, bacteria, bioinformatician, dr sandra reuter, genomics, microbes, microbiology, phylogenetic tree, plague bacterium, public engagement project, science, yersinia pestis | Leave a reply

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©MONICA AISSA MARTINEZ, ARTIST LIVING AND WORKING IN PHOENIX, 2022 No part of this site (image or text) may be copied or reproduced without permission of the artist.

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