no woman is an island

I know you said your studio is empty but I‚Äôm wondering how exact that is ūüôā I‚Äôd love to buy a piece of yours as an anniversary gift for Ray.

Yes, the walls really are empty. All the humans are gone! ¬†I do have some critters….

Setting up a date and time for a studio visit I ask Amy –¬†Will you be bringing Ray? Or will this be a surprise?


I lay paintings of insects, a hummingbird, and a tortoise out on a drawing table. As I turn a spot light on them, I feel certain Amy will choose a bug.  But fairly quickly she picks the tortoise. It reminds her of a road trip her and Ray take in their first year of marriage. 

Being turtles…
Cold, November and fairly newlywed (10 months) they drive along the Southwest. Traveling Southern Arizona to New Mexico and into El Paso, she notes they make their way across the border to Juarez and they get lost.  A pizza delivery person had to lead us out!  Upon return they make their way to Hueco Tanks and then head back up New Mexico to Santa Fé and Taos.

we are outside at a caf√© somewhere in New Mexico — I can picture the scene perfectly and we were both wearing black turtlenecks and freezing and looked up and realized we were both pulling them up over our faces, to just below our eyes. And “being turtles” was born

I smile with the visual.

Is she female? Amy asks.
I don’t know. Let’s look at her sexual organs, I say half-joking.
Is this her spleen?

Study of a Tortoise¬†– Casein, Gesso, Prisma Pencil, Micaceous Iron Oxide, Ink, Collage on Panel – 10×10″

Amy drops me a text later that evening…¬†I just realized Rays grandpa used to tell a story about a tortoise named Gilbert! (the map)
Meant to be yours – She is!

Surprise Ray! And a very Happy 20th Anniversary to both of you!

Thank you so much Amy!


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.


the front and the back bones holding your brilliance

They are elegant and living organs Рthe bones of your skull.  Each one of the cranial bones is unique in architecture. I appreciate the contour of the frontal bone, most especially the sutures (fibrous joints).

Cranial bones are the hard mineral matrix supporting (fixing) the structure of your face (Including your sensory structures). The cranial bones provide protection for the brain (aka: braincase). In the case of the frontal bone Рit protects the frontal lobe of the brain.

Your frontal bone forms your beautiful forehead and shapes the top edge of your orbits – look at that brow ridge!

Front bone (anterior)

Front bone (posterior)

The Occipital bone ‚Üstforms your posterior skull, your cranial cavity. It has a large opening, the foramen magnum (Latin for great hole), where your spinal cord exits your skull.

All the while I draw – I consider the energetics of this area…where the spinal cord exits the skull…It must be¬†a sacred space!

Occipital bone – external surface

Occipital bone, inner surface

Studying the 8 cranial bones for a good while, I am not yet done. I look at the 2-paired bones next.  I could not have known how intricate and wonderful the upper skull is (what to me so long!).

Today I know better these bones that protect our brain, and protect our brilliance! ¬†Out on an early bike ride this a.m. – I appreciate my bicycle helmet just a little¬†bit more…

bugs in contemporary art

Summer of 2015 – Invited by author to have my work included in a future book.
Summer of 2017 РInspired by Insects released.
Today – I open up a copy. Beautiful!

This 9 1/8″ x 8 1/8″ hard cover book is so well done.
The publication includes 39 Artists, 305 color and B/W photos, 176 pages of all sorts of wonderful stuff concerning the relationship between artists and the great insects.

You should see the bugs, the materials, the colors, the narratives….extraordinary!
I am happy to have 8 of my studies among the pages.


I could easily have called this post No Woman is an Island.
Thank you E. Ashley Rooney. Thank you Schiffer publishing.

pugmark

A pugmark refers to the mark, track or footprint of an animal on the ground.

Invited to exhibit my jaguar at the¬†i.d.e.a. Museum in¬†February, they ask if I have¬†touchable and tactile art samples¬†for visitors to interact with. I don’t. But knowing I’d like the design, I create jaguar pugmarks. The sample also holds the smaller prints of another Sonoran desert cat – the mountain lion. The exhibits focus – the Sonoran Desert.

In our Arizona desert you can come across a mountain lion, but chances are you will never see a jaguar. But in the Dos Cabezas Mountains (about 60 miles north of the U.S. – Mexico border) you can (if luck and the stars are with you) wander across a jaguar pugmark.

The jaguar has a large pad with toes that fan out. Notice the oval-shaped toes¬†taper, and one comes forward more than the others. The wide based pad is¬†‘M’ shaped. ( The smaller mountain lion prints appear similar). ¬†The big cat walks with claws retracted so you will not see them in the footprint.

Front pad is larger (left), while hind pad is smaller (right).

Conservationists and researchers use footprints to study large animals in the wild, like the jaguar. Footprint size helps to identify individuals, but it is not an exact science.


i.d.e.a. museum
Sonoran Safari
Opens Friday, February 9  and runs through Sunday, May 27, 2018
Opening Reception: Thursday, February 8, 2018, 5-7 p.m.


gateway into the mind – the beautiful sphenoid bone

The sphenoid bone, from the Greek sphenoeides meaning wedge-shaped, is one of 8 cranial bones Рthe top portion of the skull that encloses and protects the brain.

One bone leads to another. I draw the ethmoid bone and that study leads into this one. I admire the shape, location, and the symbolic aspects of the sphenoid bone.

The beautiful Sphenoid Bone – Superior View

When I complete the superior view of the cranial bone and post it, people note its resemblance to a moth and a butterfly. You might also imagine a bat with its wings extended. This makes sense when you consider it is a body paired with Р yes Рgreater and lesser wings and two pterygoid processes that project from below.

This bone sits at the anterior base of the skull, in the very center of the head. It is here where the nerves leave the brain to connect with the spinal column and the lower spine.
Within it you find the sella turcica ( a saddle shape mass) which houses the pituitary gland (that hangs from the base of the brain by a stalk). It helps to form the septum of the nose and the nerves of the eyes pass through it.

Superior View of Sphenoid Bone (in blue) and Ethnoid Bone (in black).

Inferior View of the Sphenoid Bone (blue wash)

… the nerves of the eyes pass through it. As a visual artist I can’t help but take note of this.¬†And it is this detail that might explain why sphenoid bone is known as the gateway into the mind.

Cranial-Sacral therapy recognizes the bone as a keystone of the cranial floor. There is a¬†cranial pulse, a subtle pulsing (and flexing) of this particular bone signifying health – making the wings that much more magical for me. And I can’t help but think of the Caduceus, the medical symbol showing two snakes ¬†winding around a winged staff (life-force rising from the base of the spine). Could the winged crown be the wings of the sphenoid?

The sphenoid considered a sacred bone at the top of the spine, equally as powerful as the sacrum at the bottom.

Inferior aspect of the Sphenoid bone.

Meditate on the beautiful sphenoid bone – breath deep and fly.

art in medicine – nothing in stasis

I spend the day with the crew at the University of Arizona’s medical school. I am in downtown Phoenix, at the Health Sciences Education Building, installing Nothing In Stasis, my most recent (years of work actually) drawings and paintings.

Walking in this morning, I see a group of students looking closely at my largest canvas that at the moment leans against a wall. I hear someone call out the name of a muscle. Someone else points out the thyroid.  I smile as I approach them and someone asks,  Are you the artist?  This is so accurate, she says. I hope so, I respond. I identify the figures in the painting and we talk about the content.

In between classes I catch students looking at artwork.  Either I am introduced by someone or I introduce myself. I completely enjoy it.

I shoot a series of photos ‚Üstwhile sitting in the corner working out a hanging system. Again, students are between classes. One young woman looks at one drawing and then another.¬†She calls a friend over and says something to her as she points.¬†I decide to walk over and introduce myself (all the while feeling like¬†John Qui√Īones¬†on What Would You Do).

The one female asks me if the surrounding organs signify something about the people depicted.

Yes! You’re correct!
Are they people you know?
My niece, my father and my mother. 

We discuss the compositions of my parents.  They clearly recognize and appreciate the details.

I don’t know how many students I connect with on this busy afternoon but each conversation brings insight. ¬†Are you a medical doctor?¬†My not so scientific response –¬†No, but¬†maybe in another life I was.

Before the afternoon is over I gather how meaningful the usual art works are  to the students, faculty, and staff. They have rotating exhibitions here. And for some reason this last month there has been no art on their walls. I am, in fact, putting my work up 2 weeks ahead of schedule. I clearly hear and see the art element is missed by most everyone.

I speak with Cynthia Standley,  who among other things organizes the Art in Medicine programming. We discuss the value of art in this particular educational setting. We talk about the connection between art and medicine (science) in terms of skill building: observation, critical thinking and communication. She notes how the skills enhance patient care. I note these are the very same skills I teach my drawing students.

I learn they have a partnership with the Phoenix Arts Museum as does our Department of Art at Phoenix College.

At the end of a long day, I sit and watch the natural light flood the now quiet area.

On a side note: When I agree to have a solo at the medical school, I am unaware they have a room with glass walls ‚ÜϬ†and they don’t know I have 2-sided translucent drawings. A medical school with glass walls…perfect!

My studio is empty. I have 60-plus drawings and paintings hanging in the Health Sciences Education Building at the Phoenix Bio-Medical Campus located a few blocks South of the Roosevelt Row Arts District.

The exhibition titled Nothing In Stasis will be showing to April of 2018. The area is open to the public and allows for visitors. An artist reception is in the planning for February’s First Friday.¬†More info to come.


Health Sciences Education Building
Phoenix Biomedical Campus (PBC)
435 N. 5th Street
Phoenix, AZ 85004-2230
Map (PDF)
Parking Information

2 weeks of practice – texture, structure and depth

Students are outdoor the last 2 weeks (yes, it is warm!) working on plant forms. And for homework they complete a self-portrait. The latter assignment they use media of choice.

Critique is a good one. I think I can say they know more about themselves and they know more about each other, after all this work.

Two words that surface again and again: commitment and practice.

Daniela’s Fig Leaves

Jen’s World

Larrisa’s Plant Forms

John’s Foliage

Daniela’s Cactus

Darrien’s Practice

Nohemi’s Study

Kellani’s Leaves and Things

Brittany’s Plants

Josue’s Leaves of October

Dustin’s Learning Curve

Brittany – Self Portrait

Nohemi’s Portrait

Cesar’s Gamer tag: oh so Yeezus

Dustin’s My Style

Daniela’s Self Portrait (media – real make-up)

Josue’s Self-Portrait

Larissa

Two Years Later

John’s Dream Finishers

Collin’s Geometry

Kanyata 12 21

Darrien Self Portrait

Sofia’s Essential Oils