roadside attraction phx

ROADSIDE ATTRACTION, brainchild of ArtFarm PHX and practical art gallery (AKA Patricia Sannit, Chris Jagmin, Lisa Olson and Lani Hudson) takes art (art work and in some cases the art making) outdoors, to be seen by the widest variety and largest number of people, given our current restrictions. Opportunity was created for valley artists, representing different viewpoints and media, to express their diverse voices.

This experimental exhibition not only encourages art experiences in new, unusual and surprising locations, it also allows for a self-directed, drive-by, bike-by, stroll-by, physically  distanced, socially engaged art experience.

Come and go, as you wish!
Info → artists, photos of work, artist statements and location map.

 


Invited early but arriving late.

I spend days (weeks) this summer wondering do I want to teach drawing next semester. I learn Zoom (for on-line art workshop) and Canvas (on-line college teaching). And while I appreciate technology and use it regularly, organizing this current phase in time sometimes feels confusing and unnatural.

Listening to a neuroscience IGTV (thanks Huberman Lab), I come to understand human progress as the consequence of 2 things:  neuroplasticity (brain and nervous system’s ability to change in response to experience) and technology development (build and create new things that allow us to extend beyond our own biological limitations).

Nueroplasticity reflects changes and connections between neurons (nerve cells). Nerve cells do not connect directly they have a space between them called a synapse (chemicals and electricity).

I know that as an adult, if I want to roll with change I need focused attention (what I want and/or how I want to feel), a sense of urgency (so apropos to the time) and rest (focus on/focus off).

Enter: Roadside Attraction invitation…and all I can think is that I’ve wanted to paint one of our perimeter walls (so out of my comfort zone).

I read an article about bee swarms and how they are like a giant brain with each individual bee behaving like a neuron in the human brain. #ImPaintingBees

FYI…bees are eusocial flying insects. #SocialOrganization

In the days that follow I complete my Canvas training while breaking to make stencils and begin painting bees. It doesn’t matter that it’s June in Phoenix. I work in afternoon shade as neighbors drive by offering a nod and/or a thumbs up. A few want to paint bees on their perimeter wall (I offer my stencils).

I can’t help but think of Jackson Pollock as I use black and gold house paint and brushes. I know why action painting is likened to dance.
The wall buzzes with form and movement…heading towards center.

Thanks Roadside Attraction…I needed this. #EverythingsConnected

#PhysicallyDistancedSociallyEngaged #ItsAllAnArtSpace
#RoadsideattrationPHX #MonicaAissaMartinez


©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

TCA Draw-A-Thon 2020

Tempe Center for the Arts will be hosting their annual Draw-A-Thon.
This year it’s going virtual. A live, on-line, real-time event!
12 Hours/12 Artists
RSVPFacebook Live


Next weekend, June 6th at 9am, Michelle Dock, Gallery Director at TCA, will host an Exquisite Corpse Workshop. Last week she invited Mary, Carolyn and myself to draw one (for fun).

In general, I keep to the size of the paper Michelle suggests. And while she notes a light-weight paper, one can fold, works best, I prefer a heavy duty sheet of drawing paper (which means we can’t fold it). Ok, I want 2 sheets of drawing paper (can’t fold either).

I rip an 8.5″ x 11″ sheet of BFK white and an 8″x10″ sheet of Arches Black.
I take the direction of exquisite corpse very literal and start drawing. I cover my area and pass it on to Mary who works her area, followed and completed by Carolyn.

Can you tell who does what?
What’s your best guess for how much time we take with each small drawing?

face mask, microbes and devil’s tail

Mary and Carolyn both like the paper and choose the medium they are familiar with.
Yes, we each enjoy the drawing!

Interested in making an one? Join Michelle Dock next Saturday at 9, for her workshop. You have plenty of time to gather up family or friends and your drawing material.

Should you want to experience other approaches to drawing (Hey! DRAW all day!), follow the link to the list of workshops and the artists involved  → EVENT SCHEDULE  (includes morning, mid-day, ffternoon/evening)

WHO: TEMPE CENTER FOR THE ARTS
WHAT: DRAW-A-THON
12 Artist/12 Hours
WHEN: Saturday, June 20, 8am-8pm
WHERE:  TCA is coming to you! →  Facebook Live  RSVP

All levels, all experience, all ages welcome! Use phone, I-pad or computer. And share your drawings with the hashtag #tempearts #GalleryAtTCA #DrawAThon

OH HEY! They have a free coloring book for you to download! My coyote is in there along with other cool images from artists near you. → PDF

#gottahaveart

ahh…life

Ahh, mother. Ahh, infant. Ahh, life.

Last Fall, while working to understand the microbiome and its relationship to obesity, I knew it was in the cards that I’d focus on a neonatal study and breastfeeding (among other things).

I listen to podcasts as I paint. My drawing paper is a good place to note key points. #TheBodyIsPolitcal

I’ve learned to consider mother’s milk as food, medicine and signal (thanks to Katie Hinde and → Mammals Suck…Milk!).  This is complicated stuff (I say this a lot lately). I’m sharing general notes to explain my direction and include a few links for the science.

So much happens behind the scenes, when mother feeds child. It seems somewhat multi-leveled and maybe multi-dimensional (I don’t mean the latter to read esoteric but admit I like implication). I know breastfeeding shapes babies immune system. I learn it shapes the brain, influences emotion and behavior, and more clearly I understand breast milk feeds (gut) microbes.

My representation of the structure of a lactating breast includes secretory lobules, alveoli, ducts, fat and connective tissue ↑. I circle and magnify area to emphasize the focus. Isolating and highlighting ↓ epithelial layer (I like these cells!), I note milk lipid droplets and casein (And I wonder if the same animal protein when added to pigment becomes my Casein paint!)

I read oxytocin makes muscle cells contract and prolactin support the milk secreting cells.

Stem Cells

I learn human breast milk contains (non-invasive) pluripotent ↑ stem cells → mammalssuckmilk. .

While initially I plan to only draw the intestine, I recall babies have a large (way large!) #ThymusGland. It enters composition as do heart and lungs. And I always include the mighty #Liver.

Mother’s breast milk is living. It is both nourishment (calcium, magnesium, sodium, phosphorous, potassium…etc) and hydration. And if I understand correctly…each and every time (wow) mother feeds baby, her milk satisfies the child’s needs at that particular moment in time.

Baby’s spit/saliva carries a signal as it washes ↑ back up into mother’s breast where receptors pick it up. Communication via fluids…you can imagine the benefit to a building immune system ↓. (Breast milk mixed with baby saliva generates hydrogen peroxide → H2O2  )

I don’t forget (I wrote about them before) the human milk oligosaccharides ↑ (HMO’s), the complex carbohydrates unique to human milk that baby cannot absorb. Reminder: HMO’s act as fertilizer for populating gut microbes. (fucosyllactose component of oligosaccharide feed bifidobacteria)
#IntestinalFlora #GutEcosystem #Microbiome #ImUnderstandingSymbiosis!

I go back to my desktop notes to make sure I’ve included particulars in the post. While there’s more to the artwork, I repeat and emphasize…the relationship between newborn and mother is multi-dimensional.
#ILoveMitochondria

A woman’s body. Will continue. Holding the life.

While painting this study, I read and listen to Katie Hinde, whose work was introduced to me by Dr Joe Alcock.
→ TEDWomen What we don’t know about mother’s milk
→ Blog  Mammals Suck… Milk!


This post is dedicated to my sister who lives in Connecticut. Analissa had her first baby   just as the country went into physical-distancing. I hope to meet my ↓ nephew before too long. In the meantime, I text her when I learn a fun fact.

Nephew Roberto AKA Tito

And to my neighbor Amy, mom to 4 week old Hailey (this Portrait of…).

A few years back after having her first baby, Amy came over carrying several of her text books on anatomy, physiology and microbiology, which she left for me to use. They’re heavy! (I use them regularly.)


©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

cadavre exquis (in physical distance mode)

Warming up to draw an exquisite corpse AKA exquisite cadaver, originally known as cadavre exquis. The method of working is a technique invented by the surrealists in the 1920’s. Shout out to #AndréBreton!

I do believe I defeat the point (though not the one that moves to create the line) of working an exquisite corpse when I practice solo this oh-too-fast-for-me sketch. You’re looking at the outcome of 90 seconds or less.

Visual Arts Coordinator Michelle Dock, contacts me interested in a sample study of an exquisite corpse made by 3 artists. She’s in planning for the Tempe Center for the Arts annual Draw-A-Thon 2020 this June. This year workshops will all be virtual.

After completing my own single, small, ↑  practice sketch to see if I can work quick and reference-free, I take a clean  8×11″ piece of paper and measure out 3 even horizontal folds. I choose and draw into the middle space. I plan to deliver the 1/3 completed composition to Mary Shindell tomorrow and then eventually Carolyn Lavender will receive it. They’ll each draw into a section. This is collaboration in the time of a pandemic.

Three women who draw. Careful organizers of space. Letting go of order (creating a new order).

Mary’s easy, she’s done this before. Carolyn hesitates when I ask. I suspect it could be fun. I’ll share the result with you and give you more info about Michelle’s workshop soon.

Did I cheat by practicing? This is as spontaneous as I have ever been in the studio, I broke a few habits, I like it and I’ll be doing it again.

#Fluid #Unpredictable #SequencedCollaboration #VirtualSurrealism


©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

look, see, teach / look, see, learn

The act of drawing remains a fundamental means to translate, document, record and analyse the worlds we inhabit. The role of drawing in education remains critical, and not just to the creative disciplines in art and design for which it is foundational.*


I am detailing the above work when I receive something in my Canvas inbox from a student taking Anatomy and Physiology 201. I don’t know the sender but clearly she attends the college where I teach drawing in the Fine Arts department, so I don’t hesitate to open the email.

The message is sent to only a few people and includes an image file of a human brain. It appears she needs help identifying particular areas.

Confused to receive the email, I soon realize she’s thinking I can be of help to her. I appreciate understanding this and I also like knowing the one response she did get…is correct.

Someone else sends her an on-line course book. I take the opportunity to look through it. It seems like another world from what I teach. (But is it?)
#Look #See #AndLearn


I’m thinking…
about next Fall and whether I will return to PC to teach drawing. Right now  I don’t know about a full semester of on-line drawing instruction.
#Observation #HandsOn 

*Why drawing needs to be a curriculum essential by Anita Taylor


©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

a story about an artist-in-residence

March 2020 I receive an email from Amy Silverman…

I hope this finds everyone healthy and safe. I can’t recall a stranger, more unsettling time. The last time I felt normal was March 11 — the last time we had a Bar Flies show.

Sadly, as I’m sure you know or have guessed, we have had to put the live shows on hiatus for the rest of the season. So I’m dusting off and tweaking an idea I had for fall that will allow us to continue sharing stories with our community — from a safe distance.

Amy continues with an invite to participate in the inaugural Illustrated Bar Flies.

I often attend Bar Flies monthly story telling/live readings at Valley Bar, in downtown Phoenix. If you haven’t been…you should go. Thoughtfully curated, each story is a unique (wow) telling. There’s DJ’ing pre and post individual readings (shout-out to Deborah!).

As with all Bar Flies stories, this illustrated version is true. The theme is HOME.

April 2020  I’ve been home researching the crazy virus that appears to be taking over all of our lives. I’m now teaching my drawing class on-line. In the studio, I work a large abstract, mixed media study based on what I am learning about the coronavirus.

The week I get the invite from Amy, I’m out in the front yard and run into Reed, my next-door neighbor. And with this interaction, I decide I’ll participate. I want to try something new that’s fun AND I can clear up a misconception. 

My story title: Looking for the Truth

looking for the truth

you are never alone

they have an intelligence

real time information…dang! they reprogram a cell!

fomites…wash your hands!

 

solitude

I rest my case, artist-in-residence is the true story.

I learn to organize differently AND I have fun…enough to even have an ↓ outtake.

seeing eyes-balls that never make it into the story

#VirtualBarFlies #WeAreStillSocialDistancing #organic #linear #YouAreNeverAlone
#WhoAmI? #WhatIsThisWorld #WhatIsMyRelationshipToIt
#ImStillArtistInResidence


May 2020 
Amy sent the invitation out to a group of people. Click on anyone of these links – go read them. Each story is true. Each story is different.
Phoenix Magazine  →  bar flies Archives
Instagram →flypaperaz
Facebook → Fly Paper, stories that stick
Eventually they’ll live on the Fly Paper website.

→ more about Bar Flies


©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

it rains, it pours…i draw

Teri, my friend who is an emergency nurse, upon seeing my virus study writes,
What did you do during the pandemic Monica?
Responding to herself she continues…I sketched it.


Enjoying the first part of Spring Break, I spend a couple of long days outdoors before the rains come. By end of week, I receive word school break is extended another week, to the 20th. News of COVID-19 fill the airwaves.

It rains. It pours. I draw.

Coronavirus: Internal structure. Note Spikes (glycoproteins) and single strand RNA

Fascinated by viruses, I note the coronavirus described as aesthetically pleasing. I agree.

In the studio the latter part of the week, I draw while listening to science podcasts, in general, on the subject of viruses, in particular on COVID-19. I learn about amplifier hosts and reservoir hosts. I learn words like retrovirus and zoonosis.

COVID-19 stands for coronavirus disease 2019. It gets its name from the spikes on its surface which resemble a crown. There are a number of coronaviruses (including MERS and SARS).

I understand now COVID-19 is a concern because it is a single-stranded RNA virus (top image) that mutates quickly and can travel on a sneeze and a cough. This is why Spring Break extends another week and events are cancelled – it’s logical.

coronavirus – external structure

Days flow…oddly different from morning to evening now. Tara, my neighbor, shows me a photo she takes of the empty fruit section at the grocery store today.

….Mostly Sunny, Partly Cloudy, Mostly Cloudy, Scattered Thunderstorms….

#WhoAmI? #WhatAmI? #WhatIsThisWorld? #WhatIsMyRelationshipToIt
#Art #Science #Curiosity #GottaHaveArt


Here are some educational (and so accessible) sources on viruses in general and some on COVID-19 in particular.

Out of ASU: Zombified Podcast is intelligent and makes learning easy, fun and sometimes…icky (in a good way).  This week they cover viruses. The episode was taped before current crisis began, making the ending play like a prediction.
 Bat shit featuring David Quammen

On COVID-19 in particular → David Quammen, Fresh-Air 

Everything virology, with last 7 episodes on COVID-19 → TWiV This Week in Virology

Food for thought (with valuable embedded links) →  How to act cooperatively in the face of a pandemic


©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

1 & 2 / olfactory and optic

I’m still in the brain, at the bottom of the top (inferior view), looking at the cranial nerves (CN1 and CN2).

Learning the olfactory nerve is cranial nerve #1 (CN1). Really? Cuz I thought for sure it was #2!

Tiny sensory nerve(s) of smell 
you are
cranial nerve(s) number one.

Olfactory nerves (CN1)

I wish I knew where I read a kiss evolved from a sniff.
One can tell a lot from sniffing another…

Optic nerve, cranial nerve #2 (CN2), for me you are (will always be) #1.

eyeballs
see

optic disk
point of exit
small blind spot

optic nerve
channel site
connects brain to eye


optic chasm
evolution suggests you’re a turning point
X marks the spot

I’m enjoying the details…


©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

in the beginning…is the line

“Drawing takes time. A line has time in it.”
-David Hockney


In this first assignment based on inner and outer contour, beginning students draw a complex natural object. Our college campus grounds are full of pinecones. They walk by them most every day. Now, I ask they study one.

They work a number of days on this one drawing. I particularly note the group’s patience and concentration as we move through the process. They arrive on time, grab their pinecone and draw. They appear careful observers from the start.

The first critique of this new year goes well. We talk about the quality of the lines,  general composition and all various challenges it took to compete these striking studies.

Here are a few…

Angelica’s Pinecone

Gisela’s Pinecone

Julyssa’s Pinecone

Aday’s Pinecone

Alex’s First

Luc’s The Pine Cone Maze

Juan’s Pinecone

Janera’s Pinecone

The class includes a group of returning students ↓ who get to pick their subject matter and work in mixed media. Basically they pick up where they left off last semester. Naturally they include various elements of design in their compositions including value, though they need to emphasize line/edge.

And they do a fine job holding the afternoon critique.

Edith’s The Dried Flower

Angel’s Duality : Typo Phobia

Angel’s in-class assignment ↑ is in mixed media drawing while her homework is the same seed pod completed ↓ in marker. Good idea Angel, I could start assigning this set up to future classes.

Angel’s Lotus Pod : Duality, marker

Seb’s Avalanche

Eamon’s Now That’s What I Call Pod Racing

Aine’s Artichoke

Basically students learn to look closely and see their subject matter. I ask they always  consider the lines they use to describe what they see. Most of them (Drawing 1) do this with a variety of fine markers and no eraser.  All the while coordinating eye, hand and brain…process is key.

Good start everyone!

no woman is an island

Late last week I receive a few emails from Jack who is in Phoenix, from Sacramento, for a business trip. I came through the airport and fell in love with your art and especially “Wandering Nerve…” I want it to live with me. Is it spoken for?

I like that he wants my study ↑ of the wandering nerve, aka vagus nerve, aka pneumogastric nerve … to live with him.

Another email:
Do you want to sell it? Do you make prints? I’m here for 3 days.

The work is an original. No prints. Yes, it’s available. I forward more info.

Marvelous! He notes he’s checked in with his wife too. All good.

He fowards:
The microbiome is growing in importance to me individually and the Vagus Nerve is a major player in my current health. I’m so grateful to see it combined in an artistic way too as art has been a similar factor in my life.

This weekend we speak. I learn a little about Jack…

At one point in life he considers becoming a psychologist and/or a minister. He talks about his interest in Eastern religions, community development and personal growth. We talk about philosophies he’s studied. I’m intrigued to know he once lived in an Ashram in South India.

Jack recounts a time, years ago, when he first came across images of Van Gogh. He describes his emotions and the physical sensations as he looked at the work. The experience seeds his interest in art and it continues to grow … which is why we connect today. And he thought he was coming to Phoenix for a business trip!

I listen as he tells me about his physical health, early ailments, and then later more serious issues including inflammation and severe pain. The latter leads Jack to research (a Stanford Lab) among several things, the microbiome and the vagus nerve, and eventually he makes the necessary life-style changes. In particular he talks about food, old cravings as well as a new way of eating that he’s designed for himself. He no longer deals with pain and he notes the breath, now easy and open. I ask questions, he answers with directness and ends with…the vagus nerve…it directs you!

I like his description of the vagus nerve… like a runway...he says. His quiet excitement is clear … I love the wandering nerve!

 We talk a little about the body directing the brain, and the brain directing the body.  It’s 2-way communication, I say. He agrees.

Jack’s life is full. He has plans with his family, which include a return trip to India and to write a book…

Art on a Cellular Level continues to June of 2020 at Sky Harbor airport.

Before our conversation comes to an end, Jack mentions how much he enjoys walking through Sky Harbor. It’s one of the nicest airports I’ve been in…and I’ve been in many.  He especially appreciated the art spaces.

I’m pleased you took the time to experience the artwork. I’m especially glad you’re well and in good spirit. Thank you Jack, for connecting and sharing some of your extraordinary life with me. I am happy the Wandering Nerve will live with you!


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

©2020 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

art making, sound making

What might a painting sound like? What might sounds look like?

The exhibition i hear what you’re seeing, curated by Laura Haleshighlights seven paintings and drawings by Arizona artists, imaginatively narrated in sound by students from Arizona State University’s School of Music and ASU’s School of Arts, Media and Engineering.

Featured Visual Artists:
Laura Spalding Best, Bill Dambrova, Cam DeCaussin, Lara Plecas, Ellen Wagner and Monica Aissa Martinez.

Featured Sound Artists:
Devin Arne, Shomit Barua, Laura Brackney, Andrew Robinson, Jacob Miller Smith and Gina Xu.

Here are some detail shots. You’ll have to show up to experience the rest of it.
#art #sound #words #mixedmedia

Laura Best, Refracted Oasis

Bill Dambrova, She asked me my name and I gave her my social security number; that’s how they got my spleen

Cam DeCaussin, Or so I’m told but how would you fake it

Lara Plecas, Petite Alliance

Ellen Wagener, Cloud Bank

Monica Aissa Martinez, Lymphatics (front view)*

*my work will also include a poem titled Signal by Kelly Nelson

 

Who:     Center Space
What:    i hear what you’re seeing
Where:  Inside of the Scottsdale Center for the Performing Arts
7380 E 2nd St, Scottsdale, 85251 View Map
When:   Opening: Friday, January 17, 6:00–8:00 pm.
runs to April 26, 2020

Join us for the opening! Free and open to the public.


Center Space is a newly imagined community space for visitors to learn about the arts by doing. Each fall and spring exhibition will feature hands-on activities or interactive displays. It is open to the public daily from 10 a.m. – 5 p.m. and during evening performances.

giving and receiving (the art of cooperation and conflict)

Organizing notes and/or…
What I learn (try to figure out and detail) along the way in my study about obesity and the microbiome/gut bacteria …

Newborns, breast milk and HMO’s…

Galactose (molecule) is one of the sugars (a building block for HMO) found in breast milk.

Oligosaccharide from the Greek, oligos, a few, and sácchar, sugar.
Human milk oligosaccharide (HMO) are sugar molecules found only in human breast milk. HMO’s, while indigestible in a newborn, encourage the growth of health promoting bifidobacteria. Think: fertilizer designed for fitness enhancing microbes.

Stuff I find particularly interesting…
Breast feeding promotes a diversity in the microbiome that may set up an individual for protection against future obesity (amongst other things).
Breast milk varies over the period of lactation and the growth of bacteria varies in different populations.

And then there are the short-chain fatty acids (SCFA) …

Butyrate (a most essential SCFA necessary for homeostasis)

SCFA are another product of microbial (friendly gut bacteria) fermentation (of indigestible dietary fibers). This source energy for the cells lining the colon kill pathogens and protects against dysbiosis.

Included in my drawing are the 3 most common examples of SCFA’s which are butyrate↑, propionate↓ and acetate↓↓.

(Yes…fun to draw out  and paint all the ball and stick models.)

Propionate (Greek protos, first and pion, fat) produces glucose in the liver.

 

Acetate (taken up by astrocytes/glial metabolism)

Takeaways…
The right food early in life trains the immune system via the microbiome.
Changes in diet (those SCFA) drive changes in gut microbes. Fiber rich foods (plant based) allow host and microbes to have mutualistic relationship (cooperation).
Microbes harm and/or help us (the host).
Junk food allows for conflict (harm).

…and then there’s hormones…

Insulin (Ribbon diagram) allows the body to use glucose for energy or store for future use.

Ghrelin (ribbon diagram) in the stomach – stimulates appetite and promotes fat storage.

Questions…
Does some food fuel pathogens and promote their growth?
Does some food inhibit or kill pathogens?
Do pathogens play a role in obesity?

#PortraitOfVeronica #GottaHaveArt #ThisStuffIsFrickinComplicated

ps. The title of the post came after a Yoga class the day after the holiday.


©2019 ALL RIGHTS RESERVED BY MONICA AISSA MARTINEZ

a city, modified: 20 years of modified arts

A City, Modified, is a cross between historical exhibition and invitational. The show surveys Modified Arts’ origin in 1999 to the present day and explores the galleries’ history as a music venue and arts space in downtown Phoenix through photographs and historical memorabilia. It is also an invitation to a selection of artists that have had an impact on the space and the arts community in Phoenix over the last two decades.

Participating Artists Include:
Annie Lopez
Brent Bond
Casebeer
Christine Cassano
David Dauncey
Daniel Funkhouser
James Angel
Jerry Jacobson
Douglas Miles
John Randall Nelson
Laura Spalding Best
Malena Barnhart
Monica Aissa Martinez
Rembrandt Quiballo
Sergio Aguirre

Who: Modified Arts
What: A City, Modified
When: November 15 – December 14th
Opening Reception: Third Friday, November 15th, 2019 6pm-9pm
Closing Reception: First Friday, December 6th, 2019 6pm-9pm
Where: Downtown Phoenix, Roosevelt Row

m/a
407 E Roosevelt, Phoenix AZ 85004
Gallery Hours: Monday – Friday 9a-5p, Saturday 12-4p
or by appointment at info@modifiedarts.org
more → www.modifiedarts.org
Facebook invite

Congratulation Modified!


Here are 2 of my memories (in photo)…

2010 / Converging Trajectories, Crossing Borders to Build Bridges

2011 / What Goes On and What Takes Place

 

speaking of diversity…

I’m still in the GI tract, looking at the microbiome as it relates to obesity.

Energetically, I’m in the solar plexus, the space below the rib-cage and behind the naval. This area governs digestion and metabolism. (Note: I have a very different picture of this nowadays.) Symbolically, it is the center holding our willpower and self-esteem. One of my Yoga teachers refers to it as the city of jewels.

Out of balance, the area can carry either excess energy or an energy deficiency. A balanced solar plexus can wake up ones sense of personal power.

The area holds (for you) a bright yellow light. #Fire

I think about optimal well-being which includes the whole person … physical, mental and social well-being (body, spirit and mind).

Here are a few personal details about my cousin …

Veronica has 3 children. They hold space in the composition ↑ as sperm meets egg (3x). Her children are adults (she’s a grandmother).

The day I photograph her, I note long fingernails and dark purple nail-polish. This last week I give the study a manicure and pedicure.

Veronica has numerous tattoos. Three flowers ( 2 blue and 1 🌸) are added to the top, left foot (our right, her left).  FYI…the immune system keeps those tats in place!

Puncture the skin and immune cells kick in. Macrophages (remember the big eater) work to gobble up invaders, in this case, the ink particles. Yes, they hold the color in place! Should the dermal macrophages be destroyed, new ones step in and continue holding that ink. The purple floating shapes ↑ to either side of the flowers – represent this (cool) hand-over system.

For years I’d not seen the small pastel of Veronica as an infant. It was on the wall during our photo shoot. I include a portrait of the portrait ↑ in the drawing as I consider a newborn’s microbiota.

Do you know breast fed babies have a more diverse microbiome while formula fed babies have a less diverse microbiome? Human milk oligosaccharide (HMO) is particularly interesting. The energy rich substrate, individual to each mother, varies throughout the period of lactation. Infants can’t absorb HMO… but microbes can.

I don’t clearly understand until now, how a high-diversity of microbes might lead to better health conditions for an individual. I mostly focus on who we are feeding – the good microbes and/or the bad microbes. And while this does play into things, so does supporting a well diverse population of microbes. With diversity, perhaps no one microbe can cause a problem (reduction in pathogenic infection).

And speaking of diversity…

Each time I’ve spoken to Veronica, she brings up the word diversity. She’s indicates in one way or another, the importance of inclusion and the recognition of a variety of individuals in terms of personal and work environments, organizations…etc. There is so much more to this idea, she says, so much more….

Veronica will be finishing up school very soon and probably a new career adventure to follow soon after.

I’ve completed 11 life-size humans – diverse in so many ways. When I am done with this one – it will be #12!Thanks for trusting me to bring your uniqueness into the mix Veronica.


Some thoughts…
This work in particular is valuable to me because right now I look at obesity (and the microbiome) through the lens of Evolution Medicine. I am particularly drawn to the idea of adaptation and how the concept applies to health and wellness.  Though always aware, I am even more clear on how everything we do has a cost and/or trade-off.  I’m more inclined to consider how this applies specifically to the care of the human body and the individual.

My understanding of the microbiome feels like I’m working a complicated puzzle. Things come together one piece at a time. At this point, I almost feel like I could go back to each drawing and add a microbial element.

What the body holds is incredible…I understand  more and more one human study at a time.

#GottaHaveArt


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