art making, sound making

What might a painting sound like? What might sounds look like?

The exhibition i hear what you’re seeing, curated by Laura Haleshighlights seven paintings and drawings by Arizona artists, imaginatively narrated in sound by students from Arizona State University’s School of Music and ASU’s School of Arts, Media and Engineering.

Featured Visual Artists:
Laura Spalding Best, Bill Dambrova, Cam DeCaussin, Lara Plecas, Ellen Wagner and Monica Aissa Martinez.

Featured Sound Artists:
Devin Arne, Shomit Barua, Laura Brackney, Andrew Robinson, Jacob Miller Smith and Gina Xu.

Here are some detail shots. You’ll have to show up to experience the rest of it.
#art #sound #words #mixedmedia

Laura Best, Refracted Oasis

Bill Dambrova, She asked me my name and I gave her my social security number; that’s how they got my spleen

Cam DeCaussin, Or so I’m told but how would you fake it

Lara Plecas, Petite Alliance

Ellen Wagener, Cloud Bank

Monica Aissa Martinez, Lymphatics (front view)*

*my work will also include a poem titled Signal by Kelly Nelson

 

Who:     Center Space
What:    i hear what you’re seeing
Where:  Inside of the Scottsdale Center for the Performing Arts
7380 E 2nd St, Scottsdale, 85251 View Map
When:   Opening: Friday, January 17, 6:00–8:00 pm.
runs to April 26, 2020

Join us for the opening! Free and open to the public.


Center Space is a newly imagined community space for visitors to learn about the arts by doing. Each fall and spring exhibition will feature hands-on activities or interactive displays. It is open to the public daily from 10 a.m. – 5 p.m. and during evening performances.

be the rage and be the light

Vanessa: I’m going to be in Phoenix … could I come visit with you?
Me: Yes! 

Thursday morning I drive to the Tempe Center for the Arts to pick up artist Vanessa German. The plan – bring her to Phoenix for lunch (Barrio Cafe) and then to my studio.

I find her in the atrium, sitting outside the theater. After greeting each other she tells me she’s walked out of a production. She reacts to what she hears and sees. I listen as she pulls words together in an organic and real way.

Her sentences are visual and visceral. She draws me into the body with her language. Because I connect to anatomy and its symbolism, I see and feel her right away. I recognize honesty. I like Vanessa, she won’t hold back.

We talk about truth, about honesty, vulnerability, courage, curiosity, compassion, and the value of questioning. We talk about history and education. I am aware, in the background of our conversation, hovers a new president-elect.

We also talk epigenetics, cells, and DNA, ancestors and magic. The woman knows the sacred.

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White Naptha Soap or, Contemporary Lessons in Shapeshifting Mixed media assemblages

While we eat, we talk about The State of the Art. We agree the opportunity was/is unique and important, fun and fabulous. Above is my photo ↑ of her sculpture (at the opening), which I sat with for a good amount of time. We catch up with how art and life have played out since then. She’s out there.

In my studio I learn Vanessa is also a photographer. She brings out her i-Pad and shares photos and stories about a recent stay at Standing Rock. My husband I listen intently as she tells us about the people, the water and trees. We are both moved. I need to get Vanessa back to Tempe where she is scheduled to teach a workshop.

I get on the highway back home and think about the fullness of our conversation this afternoon.


Vanessa is a multi-disciplinary artist based out of Pittsburgh, Pennsylvania. She is self-taught.  Her narrative will only expand as she continues to show her work, speak and perform.  She learns, she educates.

Below are her 2 photos and her own written words about them.

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artist photo – installation

this was part of my emerging artist of the year exhibition at pca. it was scary sometimes, i didn’t understand that curators helped to shape a show. I’d been use to doing everything myself, hustling, asking friends with ladders to join in a late night install; calling all graffiti artists, paying people outta my own shallow pockets and hugging out an exhausted embrace of gratitude. i truly didn’t get it. one of the most recent installs we did at a museum, and they moved most everything with museum staff; if I touched a sculpture the registrar would take photos of my hands moving over a piece. i am learning a lot about putting exhibitions up at larger and larger scale. I am learning about insurance, shipping, and communicating my ideas to all of the different people at the museum who make exhibitions work. today i am doing a teach-in with the docents at the everson museum of art in syracuse. i will tale you of any interesting bits later.

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Do The Whole Thing and Do It.With Your Whole Entire Soul. stand up inside of it.be the rage and be the light.move with it all as though a mountain wit the spirit of excellence lengthening yo spine. write yo own name on a piece of paper three times. three consecutive lists of yo very own syllables and then to kiss your hands.then to hold yo fingers up in the light of the day– splay them and then let them reach upwards to the sky to recognize the face of yo own soul in that there glory: All of the things that you are before the constructed world cobbled itself together, You Have Always Been and Will Always Be. Your Glory is Brighter Today– you have been sharpened. Hold that clarity on yo tongue and gleam with it. Love With It. You have been Sharpened. Let yourself feel good about this sharpening, what will you go to cut? Who will require you to scissor away at their bonds? There iz no thing that can hold you down. We Are The Mighty Ones.

German is an artist who communicates in broad, eloquent form. The powerful force she holds is grounded in love, vulnerability, courage, history (her ancestor’s, my ancestor’s and yours),  truth and magic. Did I say magic? Plenty of magic…

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Vanessa German in my studio.


State of the Art: Discovering American Art Now shown in 2 smaller exhibitions than the original (for practical reasons) currently travels the country. The work has recently left Savannah, Georgia and will open January of 2017, at Dixon Gallery and Gardens in Memphis, Tennessee, Following that stop the exhibition travels to The Mint Museum in Charlotte, North Carolina in April of 2017.

I hope to visit one, if not both showings.

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Cards from the catalogue showing each of our work.

the first bit, more pieces to come

Today I offer the first glimpse of a creative collaboration that I am excited to be writing about. Involved are three other artists. Here begins the first formulations of what will be a future art exhibition.

The group of four has come together for specific reasons, most important is that we want to work together. Working together is a bit more involved than merely showing together in an art exhibit. It includes a systematic series of actions directed to some end. What is the end? Simply put, it’s the creative experience itself.

Certain criteria underlies the procedure of coming together. The artists are mature in their work, with a certain level of ambition still very palpable in their art. Not one  of us can call ourselves an “emerging” artist anymore. There’s experience present, singularly and collectively. And though there hasn’t been a “merging” within every arena wanted, everyone’s on it, in their own way, be sure of this.  Each has an MFA. With this footing, a level of tenacity and self-awareness is implied. Each person can draw, though each of us handles the ability in a very different manner. Everyone relates to the education process as a student, and as a teacher. And each person’s sensibility stands out as unique and precise. You see the individuals hand in the individuals works. There’s unmistakable presence of time, be it fast and quick or slow and steady. And evolution is a constant.

The evening’s conversation bounces around, as we share a meal. Discussion involves how we proceed in making art.  Process will be a part of the exhibition so this discussion is important.  How does one begin a work of  art? Is end result in mind? I listen to each response, there’s overlap in conversation, excitement, agreement, curiosity. I hear how different everyone is, in some external sort of way.  I do note a more internal form of connection as well.

Conversation continues. What do you listen to while in studio? This one element is important to everyone, so much so we discuss it at various points in the evening. Someone asks if the impetus to create is retinal or cerebral? Interesting choice of descriptive words. It’s retinal, they’re in agreement. I pause to consider. I can’t answer easily. Intuition, instinct, a strong understanding of the elements of design, confidence in the process, materials, adventures, age, personal interests…we’re talking about all of it. One spouse contributes a comment that gets our attention. It appears to me, you all solve problems. One person voices appreciation.  We all agree with the observation.

Here it is, in a nutshell. We’re working together, yes. There are four of us. We may have a venue and a general time line.  The whole picture isn’t clear…yet….but we do see it happening. It’s retinal. What do we call the exhibition? It’s important that we get this. It’ll determine various specifics.

This evening we’ve each brought along something. Some thing we work with; tool, material, a bit of process stuff. The symbol is a jumping point to help formulate a working title. I enjoy the discovery, the sharing. We throw words around. Out comes Webster’s Encyclopedic Unabridged Dictionary , and I begin to read.

Process – operation.  PROCESS. PROCEDURE. PROCEEDING.   Apply to something that goes on or takes place.
A PROCESS is a series of progressive and interdependent steps by which an end is attained.
PROCEDURE usually implies a formal or set order of doing a thing, a method of conducting affairs.
PROCEEDING applies to what goes on or takes place…

“That’s it! I like that!”  One person calls out. Though I’ve not finished reading the whole thing, with similar excitement, everyone agrees. The working title of our project becomes What Goes On and What Takes Place.

Here, you have the Why. I’ll fill you in on the Who these other artists are and the Where, and When the exhibition will take place, and a few other important details.  Bit by bit, time will reveal.  After all, the creative experience, is what it’s all about. This collaboration is a building of trust in the process, as we each continue to make art.

Stay tuned, more to come!

P.S. this is way better than any reality show.
Hmmmm…..now what if….