hand-eye coordination

There is a region of the brain important for maintaining the calibration between visual and motor systems necessary for accurate eye-hand coordination.

Presumably, recalibration of the eye-hand coordination takes place continuously throughout our lives.  – Lorri Preston

IMG_6565 copyI’ve sketched the hand, eye and brain before. I draw them all again this week while at the same time I prepare syllabi for Drawing classes this Fall.

The study is direct and only focuses on the three parts of the body at the start. And this morning in Yoga, my teacher Meg talks about the heart. Naturally I make time to draw out and consider that connection as well.

I show the small grouping to Thomas, who is also an artist and had been wanting me to include the heart. He says … these four body parts … I consider them the four basic elements of an artist’s existence – bridging the internal and external, the subjective and objective.

I couldn’t have said it better myself.

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I consider the process a week long meditation – natural and organic.

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hand and forearm mixed media drawing

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I begin with graphite on drafting vellum. I’ve looked at the material for a good while now and wondered what to do with it. I’ve never worked with vellum.  I plan to sketch – to feel things out hand – then move on to a preferred sized sheet and begin a drawing. But as it goes – I take out color pencils, more graphite, various erasers, inks, acrylics and a rag. I draw the hand and arm skeleton as foundation, bring in muscles, add nerves, tendons and more. I work two days.

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The materials make the work appears to come up off the page. I have an x-ray box in my studio, I sit the drawing on top of it, switch on the light – and watch it become something else.

In January I’ll conduct a workshop with 14 students at the Scottsdale Museum of Contemporary Art. The focus – anatomy. I think I just organized the lesson.

The drawing and the video are examples of organic process, as is the sound I create. Here is the video – all 2 minutes and 24 seconds of it.

foundation

Drawing is the discipline by which I constantly rediscover the world. I have learned that what I have not drawn, I have never really seen, and that when I start drawing an ordinary thing, I realize how extraordinary it is, a sheer miracle.”     Frederick Franck – The Zen of Seeing


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I bought a full size human skeleton last month. I am compelled to return to basics. I take the hand and lower arm bones off and bring them to my desk so I can really look at them. The finger bones are the phalanges, I’m sure I’ve mentioned that’s one of my favorite words. The long arm bones you see here are the ulna and radius. The hand also includes bones called metacarpals (palm of the hand) and carpals (wrist).

I’ve never used vellum so I  decide to work with it. I bring out graphite and color pencils. The vellum takes all my erasing. I like a smooth surface that takes a pencil mark well.

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The bones – we feel them but they are hidden from our eyes – I consider this as I draw. I’m not complete with this study, I’ll continue another day.

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I’ve focused on and painted complex anatomy for a few years now. I still get excited about coming back to and drawing simple foundation. I still love a pencil. And vellum – I’m not sure I can get a smoother surface than that – is a fine choice.

In January I’ll facilitate a workshop for art students. I’ve been asked to focus on human anatomy. Maybe this will lead to the lesson plan for that.