where art and science intersect

The title to this post is the direction I plan to take a 7-minute talk yesterday.  I discuss both art and science, but I never do say they intersect in my studio – every single day. It’s true. They do.

14310409_10154523023037298_1464693207107995370_o

I am among 4 people Michelle Dock invites to take part in a STEAM themed panel for the annual AZ SciTech conference, held at the Scottsdale Center for the Arts. The general focus for the conference is STEM. I am there to bring ART into the conversation.

Michelle makes introductions. I walk center stage and greet the audience ready to begin -and the only person in my mind, at that moment, is Leonard Da Vinci. I let go of my opening line and talk about him. He designed a tank, a submarine, a flying machine and he brings perspective into the picture plane. He covers all the areas of STEM before STEM even exists. And he certainly covers STEAM. He is the archetypal Renaissance man, I say to the audience.

I don’t plan to begin my talk with Leonardo, but it feels right. Truth is, along with old and new medical illustration books, microscopic photographs and videos – his anatomy study is always somewhere on my drawing table.

From Leonardo I return to the 21st century and introduce my Cell/Map of Phoenix (no photo) and naturally follow with the recently completed Portrait of Sophie, a Study of Trisomy 21. Cell structure, the nucleus, chromosomes, DNA and genes are the connecting threads. I look at her for a good while before I can say anything. I’m struck by how large and bright the form stands on the screen in front of me.

img_9280

And because I have two minutes to spare, I gather my thoughts and end with my work on mylar,  Anatomy of the Thorax (anterior and posterior view),  influenced by a Gunther von Hagens’ dissection. I refer to him as the Body World’s guy. I can tell by their reaction, the audience knows who he is.  Do they know he’s influenced by Rembrandt? Gunther always appears in public with a fedora, in honor of the painting The Anatomy Lesson of Dr Nicloaes Tulip.

img_9282

Can someone tell me why it isn’t STEAM all the time? Art is a powerful language communicating via line, color, texture, form, repetition and all the other elements of design. It enters into all the other fields. If Leonardo was alive today, it would be no other way. Maybe that’s why he takes over my brain…

So … Where do art and science intersect? In my studio, on my drawing table, on my paper and canvas – each and everyday!

Also on the panel:
Michelle Dock, Tempe Center for the Arts (Moderator)
Catyana Falsetti (Forensic Artist)
Dianne Hansford, PhD (Special Modeling)
Konrad Rykaczewski, PhD (Biomimicry)


You have a few more days to catch STEAM (Science Technology Engineering Arts Mathematics) at the Tempe Center for the Arts. It closes this Saturday, Sept 17th.

notes on some current influencing visuals and ideas

Because upcoming exhibit What Goes on and What Takes Place (February), will include process, I’m pulling together a few influencing visuals. I am drawn to both text and figures.

Paintings by Romino Shrestha from The Tibetan Art of Healing.

Leonardo da Vinci’s, Vitruvian Man.
The Vitruvian Man is also known as Canon of Proportions, or Proportions of Man.

Vitruvian Man

Christ, the Redeemer, Brazil

The Christ figure.  And I connect to it the Aztec idea of the cross, signifying the point where the horizontal and vertical meet. The physical and the spiritual, man. Woman.

And contemporary artist Bailey Doogan. Ms. Doogan studies the female figure, the one she knows best, her own. The vibrant translucent quality of her painting and the raw darkness of her drawings is provocative.  Her composition has energetic use of materials to inform color (or lack of ), texture, size,  space and figure. I was introduced to both her and her work, while in grad school.  Eventually, after moving to Arizona, I would find myself invited to a group exhibit that included Ms. Doogan. I was fortunate then, to have a private though brief moment to speak with her about her work.

Self Exam In Nation, 2003

Words…text…that I am pulling from her artist statement.

About the body:
Our bodies are full of stories. They are detailed maps of our experiences. This corporeal topography of hair patterns, veins, scars, calluses, wrinkles and flesh (both smooth and crenulated) speak of a life lived.

About process and completion:
The work is never finished. I keep returning, reconsidering, changing.

About learning:
Because of the highly articulated physical presence that I have wanted in my work, over the past fifteen years I have had to reteach myself to paint and draw. That learning process is ongoing.

…notes…current stuff… influencing my days in studio….