sims lab – the practice

Invited to visit the Sims Lab at the Phoenix Biomedical campus, I think – mannequin designed to simulate human vital signs – things like breath and pulse. I don’t imagine a complete hospital environment – including sounds – High Fidelity Simulation. I can’t know I’ll meet numerous mannequins including smaller trainers.

Briana walks me into an area that’s ready for an OB lab. She refers to the trainers, I assume she is talking about students in training. I see no students. A trainer, I learn, is a tool, equipment and/or technology, shaped like a human body (full or partial) aiding in the teaching/learning process in medical school. Briana  pulls out a couple of them and explains their use to me.

We move into another room and come across a full body mannequin on a hospital bed, in what appears like an operating room/lab. Briana apologizes for the mess. Mess? I see sterile and clean. She points to things that are out-of-order. In an emergency situation where seconds matter, equipment and tools are in their place.

I touch the mannequin. I’m relieved he doesn’t feel real, at least not the skin surface. Briana helps me to feel organs and bones.

We head down the hallway to meet Victoria (below), a birthing mannequin. Yes, a mannequin that gives birth. Here is where I get a better sense of what high fidelity simulation means.

Briana explains the mechanisms while I note a 2-way mirror.  Medical students learn to respond to a full birthing experience, including sound. As in real-life each birth, and so each simulation, is unique. It all goes smooth or it doesn’t.

We come across placenta sitting on a table (of course we do).

Briana: It is birthed 35-45 minute after baby.
Me: Are there contraction?
Briana: Yes.

Briana mentions placenta brain. The phrase, not necessarily the explanation, brings a visual to my mind.

Me: I understand it’s a part of the secondary endocrine system.
Briana: It carries all the hormones that mom and baby need.

Right at this point I notice Briana is pregnant. We talk about various cultural norms concerning placenta. She explains it is also freeze-dried, ground and encapsulated, so mom (and nursing baby) may continue to benefit from the nutritious placenta for a good while after delivery.

Across the room I see 2 more mannequins – male and female. As we exit, I’m glad to know Victoria isn’t alone.

Briana: Let’s go see the kiddos!
Me: Kiddos?
We enter a smaller dark area. Lights come on bright and for a second I feel like I’m backstage at a theater production.  

Briana: Victoria’s bellies are hidden back here.
Me: Victoria’s bellies?!
Three fabulous bellies! As I write this I don’t recall if Briana says this or I do. I think she says it and I feel it true – they are fabulous! …and in various stages of pregnancy siting across the narrow table.

I learn about Leopold’s maneuvers.

And then I meet the kiddos… I hold one and as directed I roll it tightly in my hands like it might be while in utero. It is smooshy, flexible and surprisingly heavy. Average weight, Briana notes.

She then opens up the less common vertical C-section belly (below) and calls out the layers. Particularly interested in fascia, it’s the only layer (white) I focus on.

Off to stage right is the plug-in station …
I don’t say this but i think it. Babies, they lighten everything up.

We walk into a few more mock hospital rooms that include infants and young children on gurneys. Briana wipes the eyes of one of the mannequins and cleans the mouth of another. I sober up understanding the elements in these environments are for training students before they meet real people in real events.

Completing the tour, I ask about the student’s emotions and reactions. Yes, these are also part of the learning experience. It’s all about the full practice of medicine.

Briana works at the University of Arizona College of Medicine in the Center for Simulation and Innovation. Her background is in Cardiology and Cardiology Intensive Care.
She heads off to a meeting and I return to my studio.

Photo from the Tempe History Museum currently on view – 4th floor HSEB.

Note:
While I walk across the hall and take the 4 flights of stairs down – again I can’t help but think about being an artist. I especially appreciate the unusual experiences my work brings me. I could not have imagined any of this in all my years of art school.

Thank you Briana. We both have newborns in the planning – mine will be in 2D (probably on canvas) while yours will show up in 3D (real-life). Best wishes!


My artwork – Nothing In Stasis (solo exhibition) is on view through the first week of April.
Monday-Friday, 9-5

At the Health Sciences Education Building
Phoenix Biomedical Campus (PBC)
435 N. 5th Street
Phoenix, AZ 85004-2230
Map (PDF)
Parking Information

Health Science Education Building

anatomical drawing workshop with med students

I teach an anatomy drawing workshop at the college of Medicine on the Phoenix Biomedical Campus. Participants come from several programs (including a couple of faculty) though the majority are Northern Arizona University (NAU) students in Occupational Therapy (OT).

They introduce themselves and I enjoy hearing why they signed up to come to the drawing workshop.

One young woman tells us she saw a kidney and thought it beautiful and wants to learn to draw it. I understand completely. Another speaks about the piriformis muscle – she explains, it’s from the Latin and means pear (shaped). She wants to see and know this. I don’t know piriformis means pear-shaped, I want to see this too! Someone else explains she would like to learn to draw the human body when needing to explain something – instead of the usual stick figure. I smile and note if I had a patient and needed to be efficient – that stick figure would come in handy.

I move around the room and learn every participant has a personal reason for being here, including an appreciation of anatomy. Someone tells me she likes my artwork and thinks this could be fun. Thank you. Yes, it will be! I tell her.

I want to say a lot of things to them. I want to talk about science and art and their connection, and I want to talk about Leonardo (I never do!). We have 3 hours together – they’ll start something today but will probably finish up on their own.

They arrive ready with organ (subject-matter) references. And medical models are available. We talk about a contour study and I quickly explain the value of working organically. While Cindi (Director of Art in Medicine) provides a variety of papers (surfaces) and materials – the majority of the group chooses to work on black paper (I’m excited to see the black paper – I know what color does on it). A couple of the participants pick out beautiful rice papers and after some conversation – they work in parts and layers – bringing a more sculptural sensibility to their work.

Here are some captured moments of the afternoon. Note everyone begins with a careful contour study and then loosens up (with some prodding) to bring in color and texture. The nervousness steps aside and the afternoon brings a little science and a little art together. Ahhh…creativity!

On a side note: I particularly enjoy the overall conversation. It’s an unusual experience being around medical (health and wellness) people. They’re familiar and comfortable with the body in a way that the average person is not.

The afternoon is coming to an end and  I hear comments like … Oh! I love your kidney! Oh…look at your brain!! 

I learn some new things. I don’t take notes but I probably could (should) have.
Thanks everyone. And a special thanks to Cindi and Rebecca.


My drawings and paintings are on display right now at UA College of Medicine in downtown Phoenix until March of 2018. You can see the exhibit M-F, 9 to 5.
An Artist Reception is in the planning for February 2, 2018 – First Friday, 6-8 pm.

art in medicine – nothing in stasis

I spend the day with the crew at the University of Arizona’s medical school. I am in downtown Phoenix, at the Health Sciences Education Building, installing Nothing In Stasis, my most recent (years of work actually) drawings and paintings.

Walking in this morning, I see a group of students looking closely at my largest canvas that at the moment leans against a wall. I hear someone call out the name of a muscle. Someone else points out the thyroid.  I smile as I approach them and someone asks,  Are you the artist?  This is so accurate, she says. I hope so, I respond. I identify the figures in the painting and we talk about the content.

In between classes I catch students looking at artwork.  Either I am introduced by someone or I introduce myself. I completely enjoy it.

I shoot a series of photos ↓ while sitting in the corner working out a hanging system. Again, students are between classes. One young woman looks at one drawing and then another. She calls a friend over and says something to her as she points. I decide to walk over and introduce myself (all the while feeling like John Quiñones on What Would You Do).

The one female asks me if the surrounding organs signify something about the people depicted.

Yes! You’re correct!
Are they people you know?
My niece, my father and my mother. 

We discuss the compositions of my parents.  They clearly recognize and appreciate the details.

I don’t know how many students I connect with on this busy afternoon but each conversation brings insight.  Are you a medical doctor? My not so scientific response – No, but maybe in another life I was.

Before the afternoon is over I gather how meaningful the usual art works are  to the students, faculty, and staff. They have rotating exhibitions here. And for some reason this last month there has been no art on their walls. I am, in fact, putting my work up 2 weeks ahead of schedule. I clearly hear and see the art element is missed by most everyone.

I speak with Cynthia Standley,  who among other things organizes the Art in Medicine programming. We discuss the value of art in this particular educational setting. We talk about the connection between art and medicine (science) in terms of skill building: observation, critical thinking and communication. She notes how the skills enhance patient care. I note these are the very same skills I teach my drawing students.

I learn they have a partnership with the Phoenix Arts Museum as does our Department of Art at Phoenix College.

At the end of a long day, I sit and watch the natural light flood the now quiet area.

On a side note: When I agree to have a solo at the medical school, I am unaware they have a room with glass walls ↑ and they don’t know I have 2-sided translucent drawings. A medical school with glass walls…perfect!

My studio is empty. I have 60-plus drawings and paintings hanging in the Health Sciences Education Building at the Phoenix Bio-Medical Campus located a few blocks South of the Roosevelt Row Arts District.

The exhibition titled Nothing In Stasis will be showing to April of 2018. The area is open to the public and allows for visitors. An artist reception is in the planning for February’s First Friday. More info to come.


Health Sciences Education Building
Phoenix Biomedical Campus (PBC)
435 N. 5th Street
Phoenix, AZ 85004-2230
Map (PDF)
Parking Information

no woman is an island

Hi. I love your Torso images. Do you have similar work available? Dennis

This simple note arrives on September 13, 2014. Chosen for the State of the Art, Discovering American Art Now exhibition at the Crystal Bridges Museum, my studio visit makes the cover of the arts section in the NYT.  I receive email from across the country.
It still makes me smile. I am overwhelmed in the best possible way.

Eventually Dennis inquires about a commission. He let me know he’d prefer a male, anterior view anatomy study. He’s a cardiologist, the connection to the heart is the draw. Willing to wait as long as needed (his words), I decide he’s a patient man. In our correspondence I also gather he’s thoughtful. He describes how he works with artists to foster both creativity and opportunity. He writes that he rarely buys paintings, though he loves and collects glass sculpture.

Fast forward to September 2017

Hi Monica – I contacted you a few years ago … I had discussed a piece in your torso series. Do you have any completed works in line with that body of work you might have for sale at present?  Dennis

I have work and send him images. It doesn’t take him long to decide on a painting titled  Front Body, Male.

Front Body, Male,  Casein and Gesso on Canvas,  34 x 13″

I now know his full name is Dr. Dennis Chugh.  I very much appreciate his reconnecting after all this time.

Front Body, Male will be on display at the University of Arizona medical school opening in a few short weeks.  I am happy to note the painting is his. I will borrow it for the exhibit, Nothing In Stasis. The show will run to March.

Dennis will have to wait a little longer for the work. His response: I’m in no hurry. I’m so glad your work is being seen (and sold).

Thank you Dennis, for reaching out and for the support of my work.


Dennis Chugh is a cardiologist who appreciates the arts and is also a maker of beautiful objects. He has blown glass for several years.

Chestnut-headed Bee-eater

You can see more of his colorful Aviary Cilinders at → dennischugh.com


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.


“in pursuit of your humans”

I think about Wade as I pull this drawing out of storage…

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In February, 2014 – I received a few emails and a phone call from a gentleman whom I believe said he was from Louisiana. Wade had seen the New York Times article announcing the State of the Art exhibition at Crystal Bridges. He read about my studio visit and work. He was planning a one day trip to Phoenix, and wanted to see pieces…gallery…ect. 

I was teaching the day he was scheduled to visit and could not meet with him. He managed to locate two spaces where my work was hanging. I spoke to both owners of those facilities and before the day was out I had the opportunity to talk with him on the phone. I remember Wade because his reaction was sincere and his words were kind and generous. He was excited about my work and the attention it was receiving. I especially liked that he referred to my anatomy studies as ‘your humans’.

Wade asked me to stay in touch. I received lots of emails from across the country, because of that article. This last July (2015) I received an email from Wade. He was in Phoenix again and dropped me a note to tell me he was thinking about my art and hoped that I was doing well.

…about my humans
They have made their way to Los Angeles for a month showing at LA ARTCORE Brewery Annex.

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I have about 8 full size studies now – and counting. I hope to find an exhibition space that will show all of them together as one installation. I may complete 2 more to set up what I might refer to as generational mapping: four generations that includes these two drawings, my parents, a niece and nephew and 2 smaller ones, representing the generation after that.

Connections to the Natural World opens today – my humans are showing
along with the work of six other AZ artists.

LA ARTCORE Brewery Annex, Lincoln Heights 650 A South Avenue 21, Los Angeles, CA 90031
Reception and Artist Talks, Sunday, Jan 10, 2016, 1-3 p.m.
Exhibition Dates: Jan 2nd-Jan 30th. Hours Wed-Sun 12-5 pm

See you in LA!

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More:
Saatchi Global Gallery Guide
LAist

And as for State of the Art, it will be traveling : artdaily.org

no woman is an island

6and7Martinez_Hers and His

I meet Vlada and Matthew in June, while making center pieces for the wedding party tables. We all sit cutting and organizing flowers. My sister is getting married and they have come from New York City to El Paso, Texas, to attend the wedding.

I learn Vlada is from Sofia, Bulgaria. Her husband Matthew is from the United States. They are both musicians. And before the wedding is over the next day, they sit at the piano together and play for everyone. Their performance is physical and captivating.

Vlada contacts me mid-November while I am at Crystal Bridges.  They are interested in buying an artwork. I am surprised and pleased. We have a number of interactions to narrow down what will work for them.

Today I learn they want to buy two paintings, a set Hers and His.  The compositions are small female and male pelvis studies representing primordial energy. They both are from the series Nothing In Stasis. Here are a couple of posts about the artwork: Primordial Energy and Hers, Nothing in Stasis  and His

Vlada  lives and teaches in New York. Matthew is completing his teaching license. They  perform throughout the United States and Europe (far and wide). In our correspondence I learn Vlada is also a body worker.

Thank you Vlada and Matthew! Enjoy the paintings. I do believe the purchasing of these two works is creatively symbolic.

 

www.Masterwork Conversations.com is Vlada and Matthew’s website. They  have recently recorded an album called Imagination of the Folk.


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

state of the art – discovering american art now

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I am excited to let you know my work will be a part of the State of the Art exhibition at the Crystal Bridges Museum of America.

This is certain to be a one-of-a-kind exhibition experience – for artists and visitors both – as curators travelled 10,000 miles across the United Sates to visit with nearly 1000 artists. My studio was in that mix of visits as were a handful of AZ artists. I recall the initial phone call and email I received – I really couldn’t believe it ( for the record – I do believe it now ).

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Photo by Ruth Fremson/The New York Times

About the exhibit:
State of the Art features 102 artists from across the country selected for inclusion as a result of Crystal Bridges president Don Bacigalupi and assistant curator Chad Alligood’s travels and visits (mostly in person, some via Skype) with artists from every region of the U.S.

About the art works:
· Works in the exhibition include photography, video, ceramics, action/interaction, glass, fiber, installation, paper, painting, and sculpture.

· There are more than 200 total works in the exhibition

· The exhibition will reach beyond the boundaries of the Museum’s temporary exhibition spaces, extending into the permanent collection galleries and activating public and community areas indoors and out. Gallery spaces will total 19,000 square feet.

There is no charge to view the exhibition.

WHO: Crystal Bridges, Museum of American Art
WHAT: STATE OF THE ART – DISCOVERING AMERICAN ART NOW
WHERE: Bentonville, AK
WHEN: September 13, 2014 – January 19, 2015

 For more details click ↓image005

Visit the press page here on my blog and see the YouTube studio visit and/or read about the show and my work.

There is more to share but this is a good start.
Did I say I am excited? Yes I did. I am.

I could have titled this post No Woman is an Island.

6 zygotes

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The word zygote comes from the Greek and means joined or yoked.  On a quick tangent – this makes me think of the Sanskrit word yoga which means to yoke, to join or to unite. Here I think physical process, development and growth. And I think mother – my mother.

You recall I am doing an anatomy study of my mother and I want to reference in the composition the 6 children she raised. Initially I think to include 6 embryos. But as I look at resource material and compositional space I choose to set up 6 eggs becoming fertilized by sperm. I also think design: movement, color and line.

The bottom part / the ground of the drawing ( a 12″ x 44″ area ) is where I refer to the developmental phase after fertilization and the resulting one-celled organism called a zygote. The zygote stage lasts about 4 days – ironically equivalent to the amount of time this area takes to draw out and paint – 4 full days of steady, intricate progress.

Here are the stages of the 6 zygotes.

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Hot summers in Phoenix – I draw all day. This mixed media composition is bright and intense – more so than most of my other work on paper.

I need to start thinking about the title of the work and I wonder if it’s still part of the series called Nothing in Stasis. It is, I decide.

organs

My current and in process anatomy work is a life-size study of my mother’s body. Though still in the Nothing In Stasis series, I also see it as a tangent. As you recall my last painting was of my niece. I consider this work and the last as studies of anatomy, studies of the female form, and maybe studies of inheritance.

While there is bone and muscle structure, they are not primary in this composition as much as they’ve been in earlier art works. I’m thinking more in terms of organs and tissues. I sketch and outline for a long time before I decide how to approach things.

IMG_6177I like the shape of particular organs especially the ones of the immune system, which I am so curious about. I spend time researching the thyroid and the thymus. The butterfly shaped thyroid is found in the lower part of the neck.and affects every cell in the body. The thymus sits below the breast bone and is larger in a child than it is an adult. I find it contradicting  that it begins to shrink at puberty. I look at various tissue including adipose tissue. It’s lovely under a microscope.

Each organ takes a few days to complete because the work is compact – I want it dense and colorful.

morgan1 morgans

My mother had her gallbladder removed. I include it early on because again I like the shape. It reminds me of how a leaf looks growing off the stem of a plant. Eventually I remove it and place it into the background of the composition. The gallbladder is the first form that fills the lower space behind the physical body – it will appear as if growing out of the earth. I leave a trace of it where it once sat just under the liver. While the physical shape is gone, the energy of the organ remains.

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It’s interesting doing this particular work. The fact that this is my mother and the body of a woman who is 20 some years older than I am makes it familiar and yet unfamiliar at the same time –  difficult and fascinating.

I consider this work a meditation for sure.

nothing in stasis

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Subtle – from the series Nothing In Stasis
Casein on Paper
36″ x  25″

I can tell you more about this commissioned artwork, about the framing, the tile wall it sits on, and the search for a hanging system. I could share lots of little details about how things played out. And about the poem that made its way here. There’s story.
But all I really want to say is today we hung the work titled Subtle.

She is in a beautiful environment of her own. Namaste’ Patricia.

#2 copy

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“Circles” by Hafiz

The moon is most happy
When it is full.

And the sun always looks
Like a perfectly minted gold coin

That was just Polished
And places in flight
By God’s playful Kiss.

And so many varieties of fruit
Hang plump and round

From branches that seem like a Sculptor’s hands.

I see the beautiful curve of a pregnant belly
Shaped by a soul within,

And the Earth itself,
And the planets and the Spheres–

I have gotten the hint:

There is something about circles
The Beloved likes.

Hafiz,
Within the Circle of a Perfect One

There is an Infinite Community
Of Light.

the subtle body – nothing in stasis

Subtle
in ref. to things – of thin consistency
in ref. to craftsmen – skilled, clever
From O.Fr. soutil, from L. subtilis  – fine, thin, delicate, finely woven
from sub under + -tilis from tela web
texere to weave


I like the desaturated photograph below. It comes alive in a different way, for me. I have documented most everything in both color and black and white for this new series.

The work represents the posterior view of a female torso. I’ve completed a male posterior already. I use a model (the person who commissioned the work) for the initial layout. It’s a 36″ x 25″, casein and graphite painting, on a fine sheet of cream Arches paper. I’ve been working on it for about 3 weeks.


The moment of change is the only poem.   – Adrienne Rich

 

braincase – nothing in stasis

Brain: an apparatus with which we think we think. – Ambrose Bierce


I finished the back body with the great spinal column as focal point, it seems only natural that I move up into the brain.
This is a small 13″ x 13″ casein on canvas.

The detailed eye-ball in the upper left hand corner represents subtle vision, and the inner ear in the lower right hand corner represents subtle hearing.

I love the word Braincase. It’s exactly what it sounds like, the cranium enclosing the brain.

The video shows the layering process.
Note: I’ve used the same series of sounds in all the videos to this series of work. It’s created by artist and musician Joe Willie Smith and me.

Today I read about Chinese medical classics which note, All of marrow belongs to the brain. I’ll take the thought into future works.

his – nothing in stasis

I’ve completed a set of His and Hers pelvic girdles. The works are studies, abstracted and detailed, 13″ x 13″,  casein on canvas paintings.

The composition begins very simple and then gets very complex…. there’s a lesson in here somewhere.

I hope these works in some small way cause you to take care – of yourself and our world. We are so intricately connected.

Below is a very short video I put together showing various process steps in of the making of His. It’s less than 2 minutes long, and it shows the work in its accurate color. I posted these black and whites, because I really like the detail that shows up. And because I am considering something to display them this way as well.

To see read about Hers and access the video link → click here.

nothing in stasis (the subtle body)

“A hundred and one are the arteries of the heart, one of them leads up to the crown of the head. Going upward through that, one becomes immortal.” Chandogya Upanishad


The image above is the layout of the drawing, the beginning of the painting.

The image below shows the final stage and completion of the work.

You can see the stages in between, in the 2 minute video below. The images are accompanied by sounds created by Joe Willie Smith and myself.


new canvas – nothing is in stasis

..white lines in movement symbolize a unifying idea which flows through the compartmented units of life bringing the consciousness of a larger relativity.
Mark Tobey on his painting ‘Threading Light’


… a long and enjoyable  process.

Above 3 images show details of the same area at varying stages.  Image below, shows another. Both are from the same composition which I’ll show in completion in an upcoming exhibit.

This work reminds me of a conversation I had with a scientist friend. Dave and I were talking one day and in the context of that conversation he announces everything is random.

How can you say it’s all random! 

Because it is.

I didn’t buy it.

Fast forward months later:
I start with a plan to make a painting.  I have a structure in mind – the human body. I work in my usual manner, except a little more here and a little more there…

Enter Stage Right(brain) –  Randomness.

I couldn’t have known what I was going to do. If I had, then what would be the point.

The question … Is it all random? Is there rhyme and reason?  My answer just surfaced.

#mkingart #agr8thing.