preparing a value scale
This post results from a note a drawing 2 student, who worked in Pastel, sent me. He asks if I can tell him what the technical term for working with pastel is called, precisely. I’d referred to it as drawing [with pastel], during the course of the semester. A drawing teacher, could say this. After his experience with it, he wonders if it might be more technically correct to say painting [with pastel], or in fact, could he be sculpting. I loved the question. He knows, he says, he is not pasteling. I understand he’s put his whole self into the process and experience teaches him much.
He picked up freedom with this medium, that he hadn’t been able to find with marker or charcoal. When he draws with pastel, his arm seems to glide or dance across his paper. I say to him his instincts / his feelings, in fact, are all correct. Any of the technical terms he uses, could be accurate. He could be drawing, he could be painting, and yes, he very well could be sculpting, on a 2 dimensional surface, with the medium of pastel.
learning local value with pastel
He notes that whatever it’s called…he absolutely and joyously loves it. With that statement, I decide since my semester with him is technically over, I can write what I really believe he’s doing.
I tell him he is engaging in joy, thru the medium of pastel, on a 2 dimensional surface (paper/canvas).
I humorously add, I think the Dalai Lama would approve. I believe he just might.
I choose to continue, and discuss practical things, because I feel one can never know enough about safety, especially when it appears, on all counts, he’ll continue using pastels. He’s bought himself several Rembrandt sets. (He does use both regular and Oil Pastels throughout the semester. Most everything I write here is referring to regular soft Pastel.)
I mention the importance of safety while working with the medium of pastel. By its very nature, it creates dust. Too much dust is a problem, to the lungs especially. Pastels are made of pigments and a binder, and pigments can be hazardous, the dust, specifically. Cobalt and Cadmium are beautiful, the blues and reds, and are highly toxic to the lungs, and kidneys. Inhaling or ingesting is not wise. Another pigment, Yellow Chrome, contains led, and can be absorbed thru the skin. Metals like gold, copper and silver can do the same thing. Mask (nose and mouth cover) and gloves are important with continued use of pastels.
The other thing about working in pastel, is that it is not a stable medium. Artists tend to fix it with an aerosol fixative. Caution should always be taken with any fixative. If you don’t have a ventilation system in your work space, go outdoors to spray, and still cover your mouth and nose.
Probably if you’re going to be working large, and drawing for long extended periods of time with charcoal, you might consider covering mouth and nose.
setting a ground
My students assignment is to reproduce an old master. This is his rendition of Vincent Van Gogh’s, Skeleton Smoking A Cigarette.
Don’t get me started on cigarettes….
I suggest when working with pastel (or any other art medium), to research the material. A good book to have in ones studio, The Artist’s Handbook of Materials and Techniques, by Ralph Mayer. BTW, according to my copy, working with pastel, would technically be called painting…
I still think he’s engaging in joy. Approached with thoughtfulness and care, it could bring many long years of happiness.