no woman is an island

The Onloaded Project I call Cella, opened (last) Friday night in the phICA containers on Roosevelt Row. The brightly lit boxes and the steady stream of visitors make the night memorable.

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OnLoaded boxes activate at sunset on Friday night.

onloaded_containers

Last visitors as we prepare to close.

The evening is followed by the annual Phoenix Art Detour beginning Saturday morning and going through Sunday. Again, I enjoy steady visitors. I love watching how people move through the space and interact with the work. I manage a few sales.

cella2

Richard Ross, whom I meet exactly one year ago when the Contemporary Forum visits my studio, drops in. I enjoy reconnecting. We talk art, materials and hanging systems. Interested in several works he decides on a flashcard painting – the Pancreas. These are small, two-sided (two views), 6 x 4″ studies that hang in line, together. He likes that it’s somewhat abstract and resembles something that might live underwater, a sea creature perhaps. Some of the glands in the set have that quality, yes I agree.

Thank you Richard!

pancreas

The Pancreas (part of the endocrine system), anterior and posterior view, mixed media, 4 x 6″

Will and Louise Bruder come into the container, while I chat with Richard. They too decide on a flashcard work – the eyeball – but not before Mr. Bruder congratulates me for representing Phoenix in the State of the Art exhibition at the Crystal Bridges Museum. They’d been to the ASU Art Museum the day before and note my work in the project room. I remind him we met years ago at a Burton Barr Central Library celebration.

He explains where and how he wants to hang the small work. He will enjoy it while drinking his morning coffee, he says, near an east facing window that allows in morning light. He’s pleased by the idea of seeing an eyeball – so appropriate, he says. He wants to know about the materials. Casein, I tell him, the Egyptians used it. The medium passes the test of time. That works for him.

eyeball

Before the weekend is over Ted Decker picks a flashcard out too. The bladder and prostate gland get his attention. I also call the image The Minister of the Reservoir and the Water Gate. I explain I also see the small drawing as a milagros (votive offerings). He nods with appreciation.

bladder and prostate

The Minister of the Resevoir and the Water Gate, Front and Back view of bladder and prostate gland, 6 x 4″

It seems to me that having a Cella, a room of one’s own, to settle and reconnect to the self – feels appealing more now than ever.

Thank you Richard, Will, Louise and Ted.
And thank you to phICA for the invitation to exhibit – a unique experience, for sure!


The blog posts titled No Woman is an Island acknowledge the people and/or organizations who support me and the work I do.

phoenix institute of contemporary art (phICA) launches march 18th @ modified arts

As its inaugural project, phICA is pleased to present Arma Branca, an installation of ceramic objects by São Paulo, Brazil-based visual artist Laerte Ramos in his first solo exhibition in the United States.


Laerte Ramos, Arma Branca, Installation at Emma Thomas Gallery, Sao Paolo, Brazil

detail

I first saw Laerte Ramos’ work in Brazil in 2010 and was drawn to it on several levels, curator Ted Decker says in response to my asking why he’s chosen Ramos’ work to launch phICA. He continues…One, when I saw the installation of objects from a distance on the wall, I was reminded of my own passion for collecting, arranging, showing, thinking about relationships between art works in my own home. The way the objects are installed looks like a collection of curiosities at first. Secondly, as one moves towards the art, the fact that they are shapes of guns is a surprise, and this made me more interested as to what Laerte was signifying, voicing. Third, as an Arizonan, it is difficult not to bring the cultural influence of guns to the work. While my intention is not to politicize this exhibit, what I like about it is that it forces personal response and interpretation, a seminal element of good contemporary art. It is work that I had trouble finding a venue for because of people’s interpretations of the work. Fourth, Laerte is a visual artist and does not peg himself as a ceramist. It is one of his materials, medias of choice in his overall liberated formal practice. He uses it to make objects, installations, and to be destroyed in performances. You know how I don’t like and try to resist labels and so I liked the idea of showing this work for that reason. In this exhibition, nothing is black or white –arma branca, though it translates from the Portuguese literally as white weapons, actually refers to daggers, swords, weapons that are not fired like guns are. Ceramic crumbles easily but in this work is used to represent objects made of steel.

Laerte Ramos anti-derrapante série camuflados 2010

I know Jon Haddock’s Isometric Screenshots will also be shown and I ask Ted how Haddock’s work connects. phICA and Modified are collaborating, Ted explains. There are 2 separate exhibitions going on in one space….trying something new, innovative, collaborative, lean and mean, more bang for buck which we in the arts must all think about.

New, innovative, collaborative….lean and mean… it’s why I’m sharing it. See you there.

Jon Haddock, Isometric Screenshots, Tiananmen Square (Beijing, 1989), 2000, digital image

The inaugural project for Phoenix Institute of Contemporary Art (phICA) will be Laerte Ramos: Arma Branca curated by Ted G. Decker in a community partnership with Modified Arts. This will be the first solo exhibition for Ramos, a São Paulo-based artist with a rapidly rising international reputation will attend. Concurrently at Modified Arts is a separate exhibition

Source Code featuring artists Jon Haddock, Jason Rorher, Carlo Zanni, and Paolo Pedercini who have used the integration of video game imagery in the digital age as a form to reflect on the nature and events of our current society.

In collaboration between phICA and Modified Arts, the two exhibits will be accompanied by a four-color handout featuring information about phICA, an essay about Ramos’s work by Daniela Name, an independent curator and art writer based in Rio de Janeiro, a text by Kim Larkin about Jon Haddock’s work, and color images of each artist’s work.

Who: phICA in collaboration with Modified Arts

What: Laerte Ramos: Arma Branca curated by Ted G. Decker
Source Code curated by Kim Larkin

Where: Modified Arts
407 E. Roosevelt
Downtown Phoenix

When: Opening Reception Friday, March 18th   6:00 – 9:00 pm
(Third Friday/Art Detour weekend)

What else: The exhibition continues through April 10th.
Laerte Ramos will attend the opening and will give a special tour of the exhibition at a “Meet and Greet” Community Roundtable on Saturday, March 19th at the gallery starting at 2:00 pm.
In addition, phICA and Shemer Art Center and Museum present Sunset at Shemer Happy Hour featuring Laerte Ramos on Thursday, March 17th from 5:00 – 7:00 pm.