his – nothing in stasis

I’ve completed a set of His and Hers pelvic girdles. The works are studies, abstracted and detailed, 13″ x 13″,  casein on canvas paintings.

The composition begins very simple and then gets very complex…. there’s a lesson in here somewhere.

I hope these works in some small way cause you to take care – of yourself and our world. We are so intricately connected.

Below is a very short video I put together showing various process steps in of the making of His. It’s less than 2 minutes long, and it shows the work in its accurate color. I posted these black and whites, because I really like the detail that shows up. And because I am considering something to display them this way as well.

To see read about Hers and access the video link → click here.

days of drawing – the back body

A sheet of fine drawing paper on the easel,
graphite, water, brushes, and tubes of paint,
two slow days on the sketch.
Process.

Even – spaced, repetitive- ribs are,
shoulder blades, pelvis bones, kidneys  – mirror,
though not exactly symmetrical, nothing is.
Process.

Days leave marks – many,
erase, move, add and subtract,
pushing and pulling, drawing in and drawing out.
Process.

sketching, maybe drawing

Kurt, an under grad professor, gave me a love for the sketch, the drawing and the print. He suggested very early on, that I carry with me at all times…small ripped paper and a pencil. If  time allows, he said, maybe while I wait for an appointment, maybe while I watch the tube, draw. Just draw, he said.

I do.

Sometimes the sketch becomes itself a small completed piece. Other times, it leads to something new: a mark, a shape, a color, a background, a new print.

These images below, finished, are small 3 1/2″ x 3 1/2″ drawings and parts of them feed into some new large work, on canvas.

Stay realistic? Go abstract?  Both.

Small ripped BFK paper, gesso, graphite, Prisma, casein. Blending stumps are at the college. I smudge with a small, stiff, used up brush instead. Rough but interesting background finish.

I’m framing a few and they’ll show as process in  What Goes On and What Takes Place.

what’s going on and what’s taking place…cont.

Sue, Carolyn and I drive out to Mary’s house. Mary not only prepares a great meal for us, she also shares her work, her studio, and her art books.  I’m introduced to an artist I’d not heard of. Conversation is plentiful. We talk about all sorts of things, past and present. I learn something new about each of them, as well as discover something about myself. Too bad for you, I’m only sharing photos of our work here.

Everyone is asked to bring a small 2D drawing, photo, or reproduction of some sort. It’s to be representational of the larger work that will show at What Goes on and What Takes Place, during Art Detour. The 2D object serves two purposes. They’re a way to reconnect, share progress and continue planning. And they act as  jumping points to discuss another element of the exhibition. We’re each considering making a small print. They’ll be available individually or as a collective set of four, during the run of the exhibit. Right now, it appears the prints will be 6″ x 6″  images reproducing a portion of the large-scale artworks. It’s not written in stone, things can change.

Yesterday Mary and I enthusiastically discuss paper stock. If paper is not exciting to you, then my guess is it’s just another tedious choice…and well…too bad.  There are interesting facts about paper worthy of a discussion.

Here are  photos of what’s going on and some of what might take place….enjoy.

Below, I hold a small-scale, mixed media drawing showing the head portion of a life-size self-portrait I’m finalizing for the exhibit.

Mary Shindell holds in her hands, a small cut out maquette of one wing. Yes, one wing. Again, this is only a small piece of a large digital sculpture. Or is it an installation? What will she call it? We’ll wait and see.

Carolyn Lavender cradles in her hands, a reproduction of an owl’s head, one of the 200 animal heads that will grace her large graphite on canvas.

And Sue Chenoweth evenly holds a very small, but very exciting reproduction of the 40″ x 40″ mixed media work on paper, she’s completing.

We enjoy the similarities and the differences in the small pieces, as a grouping. They allow us insight into the whole exhibit, which we agree, is a great idea. The afternoon passes quickly. It works out for touching base, making a few decisions, and having fun. We leave with a parting gift from Mary. Better explained, she satisfies our lust…we want these little magnets she’s created. Mary generously gives them to us. She’ll have these available for purchase, at the exhibit.


Once again…here’s the scoop….

WHAT: WHAT GOES ON AND WHAT TAKES PLACE

WHERE: MODIFIED ARTS

WHEN: FEB 18TH – MARCH 12TH, ART DETOUR

WHO: MARY SHINDELL,  CAROLYN LAVENDER, SUE CHENOWETH, and MONICA AISSA MARTINEZ

This exhibition is supported with a mini-grant for marketing through the Ted Decker Catalyst Fund.

Click Modified Arts to find links informing you about each of the artists, their studio and their work.

To visit artists web sites, click on their photo above.

speak no evil

A triptych.

Completing one idea I began realizing last month during a self-imposed ‘drawing-a-day-for-7-days‘ exercise. A luxury a Phoenix summer allows me (click for finale posting).
Here’s my latest 1 day drawing.
Not a harsh drawing. Deliberately easy. Text is to the point, both in English and Spanish. Mom’s helped me with the translation.  I might not be as careful as she prefers I be.

The title: Speak No Evil, No Hables de Cosas Malas.

Speak No Evil, No Hables de Cosas Malas

…the other two…

See No Evil, No Veas Ningu′n Mal

No Escuches Lo Malo, Hear No Evil

notes on some current influencing visuals and ideas

Because upcoming exhibit What Goes on and What Takes Place (February), will include process, I’m pulling together a few influencing visuals. I am drawn to both text and figures.

Paintings by Romino Shrestha from The Tibetan Art of Healing.

Leonardo da Vinci’s, Vitruvian Man.
The Vitruvian Man is also known as Canon of Proportions, or Proportions of Man.

Vitruvian Man

Christ, the Redeemer, Brazil

The Christ figure.  And I connect to it the Aztec idea of the cross, signifying the point where the horizontal and vertical meet. The physical and the spiritual, man. Woman.

And contemporary artist Bailey Doogan. Ms. Doogan studies the female figure, the one she knows best, her own. The vibrant translucent quality of her painting and the raw darkness of her drawings is provocative.  Her composition has energetic use of materials to inform color (or lack of ), texture, size,  space and figure. I was introduced to both her and her work, while in grad school.  Eventually, after moving to Arizona, I would find myself invited to a group exhibit that included Ms. Doogan. I was fortunate then, to have a private though brief moment to speak with her about her work.

Self Exam In Nation, 2003

Words…text…that I am pulling from her artist statement.

About the body:
Our bodies are full of stories. They are detailed maps of our experiences. This corporeal topography of hair patterns, veins, scars, calluses, wrinkles and flesh (both smooth and crenulated) speak of a life lived.

About process and completion:
The work is never finished. I keep returning, reconsidering, changing.

About learning:
Because of the highly articulated physical presence that I have wanted in my work, over the past fifteen years I have had to reteach myself to paint and draw. That learning process is ongoing.

…notes…current stuff… influencing my days in studio….

what goes on and what takes place/ the venue



A few weeks ago (April 11th), I wrote about collaborating on an art exhibit, with three other artists. Yesterday, the four of us met with Kim Larkin.  Modified Arts, will host the exhibition.

Modified is run by Kim Larkin and Adam Murry. Kim made the round of studio visits, and then agreed to meet with the group on Saturday afternoon. Adam stepped in to greet everyone, and then he was off.

About the space…it appeals to all of us. It’s open and well-lit.  It has cool sophistication and yet  it retains its original charm. It’s in downtown Phoenix. And it has lots of history.

We do talk a little bit about the history of Modified. And then Kim speaks about their vision as the new directors of the space. She’s grounded. Intelligent.  Clear. Flexible. I had these thoughts, when I spoke to her in my studio, and listening to her in this meeting, I am aware of them again.

She has a sense of integrity we all connect to. I especially like that we discuss the exhibition as a whole experience. Kim brings up the idea of a community component. This is in perfect alignment with our plan.  We’re in agreement about connecting with /interacting with/and pulling in the audience. We want to make the experience accessible and inclusive. Ideas tossed about: showing the creative process through photos, personal material (studio ephemera, studio debris), speakers, event/s, video, and music/sound. How this part evolves, you’ll have to wait and see, just like us.

There will be one large, main artwork from each of us. And a few smaller supporting works, that specifically accompany the larger work. Included is the showing of process, in a more personal manner, will be bits and pieces from each.

Kim mentions bringing fun into the equation. We agree…it’s present already, it will naturally be a part of the end result.
WHEN will all this fun peak? I am really pleased to say…next year, during Art Detour.  Feb 18th- March 12th.

We note to Kim that we plan to reveal the other 3 artists, one a time.  She’s good with this. But as I write this…I’m not so good with it. I want to tell you who the other artists are right now!  Another clue below…..can you guess?

Obviously…four women.  I hope soon to reveal one of the other artist.

We play around with shooting photos and then our afternoon meeting ends. I leave feeling the agreement to create this experience is respectful and beneficial, to each of us and our own individual process of working. Kim offers the gallery, Modified, and we offer our work. In the agreement there is plenty of freedom to really create. It’s the thing that is driving this show. EXCITING.
Win-win for all, including you, if you’re inclined.

WHAT: WHAT GOES ON AND WHAT TAKES PLACE

WHERE: MODIFIED ARTS

WHEN: FEB 18TH -MARCH 12TH ART DETOUR

WHO: 4 Women Artist. More to come soon.

Stay tuned!